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Wednesday, September 29, 2021

808-The She-Creature


Film Year:  1956
Genre:  Horror
Director:  Edward L. Cahn
Starring:  Chester Morris, Marla English, Tom Conway, Cathy Downs
MST Season:  8

The Movie

Hypnotist Carlo Lombardi tours with an act where he hypnotizes his lovely, largely bosomed assistant Andrea.  But Lombardi's hypnosis is so powerful that he can return Andrea to a past life as a prehistoric life-form and also have her manifest this creature in actuality.  He is then convinced to boost sales of his act by telling the audience that the creature will strike every time it appears, which leads to several murders.  Despite the link of the murders to the supposed creature, the police have no definitive proof to tie any crime to Lombardi.

Upon release, The She-Creature mostly found itself playing in double features with another movie featured on Mystery Science Theater 3000, It Conquered the World.  It's not easy to make It Conquered the World to look good by comparison, but here we are.

The She-Creature sports a creative story, but ultimately dull plotting.  The movie moves slowly, and a lot of scenes in the film feel similar to scenes we have seen prior in it.  When the movie ends, I feel like I've seen just a giant brick of greyness, and that's not just due to the black and white cinematography.  At least that is attempting some mood lighting, even if its overuse of shadow can go a little too far.  The movie feels blank, with wooden acting of a script nobody seems to want to work with, making the film seem like its not willing to make its audience feel like they're getting good entertainment out of the money they spent.  No wonder this needed to be in a double feature.

Probably the only thing people will get out of it is the only thing the audience wants to see, which is the monster costume.  It's fairly neat looking, if a little busy.  The titular She-Creature doesn't disappoint, but the movie around it isn't giving it anything to work with.  The She-Creature appears too rarely to save the feature, and when it is here it struggles to give the movie the last bit of personality that it's begging for.


The Episode

One criticism the eighth season of Mystery Science Theater faces, when it's not the fallback of "No Joel, No Trace, Stupid Story Arc," is that the opening Universal International/American International based episodes tend to blur together for feeling too similar, and it's often seen as being a dull string of episodes during the show's lengthy run.  This is not entirely without merit, because it is a bit straining when laid out in a row, and it's easy to attribute the weaknesses of certain episodes to others out of a faulty memory.  Before I started writing this blog, I had memories of the American International episodes being a bit boring, but I found them pretty enjoyable upon these viewings.  It mostly turns out when I remembered this string of episodes, I was mostly remembering The She-Creature, which is just a dull movie overwhelming its commentary.  Its amazing how one lackluster experience can somehow infect more positive ones around it.

What's really unfortunate about this episode is that the riffing is very enthusiastic.  If nothing else, the energy in the theater shows potential to be the perfect counterweight to such an inactive movie.  Unfortunately, while it's a silly movie with goofy shit to commentate on, there just isn't enough.  It's a slow and uninteresting movie, and while the riffing tries to compensate, it often feels like its waiting for the movie to catch up because Mike and the Bots are moving too fast for it.  That's not to say the episode doesn't have some chuckles in it.  There is some material that left me laughing for a good while, be it just simple jabs like "Guess the stain and win a prize!" or exchange add-ons like "I shall touch you and you shall be asleep."/"So like every night?"  It's just an example of the promise on display, but the whole experience falls short.

The host segments are actually pretty fun, though.  We get one last glimpse of the Observer Planet, as Mike tries to help Pearl and Bobo escape with the help of the Nanites, who blow up the planet due to misinterpreting Mike's command.  Pearl and Bobo manage to escape with one of the Observers held hostage, our beloved "Brain Guy" played by Bill Corbett, who joins the Mads as a regular after this episode.  Upon the Satellite of Love, there are some wacky shenanigans as Crow and Servo mix-up a Thigh-Master with a Thaw-Master and Crow invents the Tickle-Me Carlo Lombardi Doll, based on the antagonist of the film.  There is also a pretty stellar segment in which Mike takes acting lessons from the movie's mumbling male lead.

"....my boat..."

It's sad to think that there is an episode so dull that it actually manages to drag down the episodes around it, and yet I also have to face the fact that this is a hyperbolic reaction because the episode isn't really that bad.  It's just a drag.  There's stuff worth watching in this episode and it isn't an unpleasant experience, which sees me slightly recommending it, I just can't promise a good time.

Average


The DVD

Shout Factory released The She-Creature as a part of the Volume XXXIV collection.  Audio and video were both spotless, while the sole special feature was the film's trailer.

Sunday, September 26, 2021

MST3K on Blu-Ray (Believe It or Not!)


Mystery Science Theater 3000 was shot in standard definition, at least the classic series was at the very least.  MST3K has very little reason to be released on blu-ray as the format would do very little for the series in general.  For the most part, we as fans should be content with HD releases of MST3K:  The Movie and the relaunch seasons, all of which were filmed with HD masters and look excellent on the format.

BUT...

What if I told you that a handful of classic MST are actually on blu-ray?  Are you as curious about this as I am?

MST3K's first blu-ray release was a Shout Factory special edition of The Movie back in 2013, which looks fairly stunning, since it was filmed on actual film of course.  The one tiny flaw is that it used a transfer that replaced the original studio logo at the beginning of the movie, but the disc was particularly loaded with special features, so it's a tiny blemish on a beautiful package.  It seemed to be quite reasonable that this might be the only blu-ray release of the series, especially since the relaunch Kickstarter had not come to fruition yet.  Once the Kickstarter launched, it showed that the future of the series would be in HD.  However, not long after that Shout Factory gave a sample of the classic series in HD, as in late 2015 they released the uncut film The Brain That Wouldn't Die, which included the MST episode as a bonus feature.

Let's not get too excited too fast though.  While the quality of the unriffed film in question is undoubtedly pristine, the episode presentation is far less so.  Even forgiving the fact that it doesn't live up to high definition standards as a standard definition source, the episode has troublesomely low contrast, which means absurdly high black levels.  Anybody who remembers Rhino's Merlin's Shop of Mystical Wonders disc is having PTSD flashbacks as I say this.  The one virtue Merlin had for having that kind of transfer is that it was a color film, but Brain is in black and white, which makes it far more bothersome because there are more blacks on display.  This disc was very easy to pass up if you were just in it for the episodes.  However bonus features did include a commentary and a bonus scene of nudity for foreign venues.

Shout did not stop there though, as it eventually released more episodes as supplements on more blu-ray releases of uncut films.  The Screaming Skull hit in 2017 and once again the uncut film features a gorgeous, if slightly dirty, transfer.  The MST transfer fares a lot better than Brain's, and one can even claim that the upscale transfer looks a bit more solid than its DVD counterpart, though it's predictably lacking texture and the poor print of the film used in the episode looks trashy compared to its HD version.  Bonus features include the same featurette on the making of the film seen on the MST DVD while it also includes a photo gallery and some trailers for good measure.

A few months later, Shout graced us with a blu-ray of The Bat People, which was the original title to It Lives By Night.  Forgiving that this is one of my least favorite episodes of the series, the high definition transfer of the movie is great.  And being one of the last episodes produced means that the episode has one of the sharpest transfers of the classic series.  A lot of these tenth season episodes have some great masters that can look pretty solid in high definition, even if they aren't hi-def themselves.  Also included are a photo gallery and a pair of trailers that are really the same trailer just each with a different title for the movie.

2017 was also the same year that MST was relaunched on Netflix, introducing the series into the high definition era with native high definition transfers.  In November of that year those who backed the series on Kickstarter were sent a copy of the season on blu-ray, while the season was released in retail stores the following April.  For more on this release, I linked my review of it below.

More episodes were released onto blu-ray in 2019.  This year saw Shout releasing a host of Universal International sci-fi onto home video, one of which was The Mole People.  This release actually features the film with two aspect ratios, one in 1.85:1 and another in 2:1, which are both essentially the same video but the latter features less picture (incidentally, the version on MST is open framed, so you actually see the most video on it, even with the theater seats).  The 1.85:1 looks the least cramped to me, so I'd probably prefer that one.  This transfer of the film is very grainy, though that's not a bad thing as grain means texture.  It's also a features specks of dirt on it, so it's not a fully clean look but it's easily the best the film has ever looked on home video.  The MST version doesn't look quite as good as Screaming Skull or It Lives By Night, as I find it nearly indistinguishable from the DVD transfer.  Special features include the same movie making of from the MST DVD, posters and lobby cards, a still gallery, and a trailer for the film.

A month later Shout released The Deadly Mantis, which features a much cleaner movie transfer than Mole People.  The movie looks very good, all things considered (shoddy stock footage notwithstanding).  The MST episode looks a little better than Mole People, which is weird because it's the episode that aired directly after.  One plus to this version is that the original DVD version had cut the show's title bumper immediately after the first host segment, which is restored here.  The only special features on this release are a photo gallery and a trailer for the film.

In mid-2019, people who backed a pledge drive to help cover costs of the twelfth season of MST were given a blu-ray set of that season, and that season went on sale for retail in November.

November of 2019 also saw a release of another episode on blu-ray, this time not by Shout Factory but by a little company called Film Detective.  They did a blu-ray release of the film Eegah, which probably looks about as good in high definition as it's ever going to look.  There are video flaws abound, and certain sequences look washed out and ugly and others look a bit crisper, while audio is pretty shitty.  I'm assuming that this is the way the movie always looked and sounded, so Eegah is probably faithful to its source.  They licensed the MST version from Shout Factory and it is the first Joel episode released on blu-ray, and considering the age of the episode it looks pretty solid.  I'd even call it a better transfer than Mole People, and it's definitely a cut above Brain That Wouldn't Die.  Special features include a newly conducted interview with the movie's star, Arch Hall Jr., and it also ports over Joel's interview from The Singles Collection DVD set.

Shout Factory released another episode in 2020, which was on a blu-ray of The Spider, which was the original title of Earth vs. the Spider.  Despite being advertised as "The Spider" on the cover, the transfer used for the unriffed film still is labeled Earth vs. the Spider.  My first impression watching it is that it's not nearly as blue as the MST print, which was an old tinting trick MST used to do to separate the film from the theater seats.  The movie looks pretty great in high definition and I'm happy to have seen it like this.  Also featured is an 8mm version, which is 9 minutes long, has no sound, and looks like ass.  I love it!  The MST version is as of this writing the oldest episode of the series on blu-ray, and it looks pretty decent, probably Mole People level if not slightly better, but worse than Eegah.  In addition to the 8mm print, bonus features also include a photo gallery and a trailer.

The most recent blu-ray with an episode of the classic series is another release by Film Detective, this one of Hercules and the Captive Women.  The transfer of this movie looks pretty great, crisp and handsome if maybe a little soft on color, and it makes me yearn for more of these Italian Hercules films on blu-ray.  The film is English dub only, so sorry to purists who like to watch films in their original language.  The video for the MST version looks a little drained and fuzzy to me.  It's okay looking, but one of the weaker transfers on the blu-ray format to be sure.  This blu-ray features an intro by Frank Conniff, but it's an intro they borrowed from Shout Factory's MST version of the Steve Reeves Hercules rather than Captive Women, which didn't have an intro.  An audio commentary for the film is also included, as well as a new Hercules and the Conquest of Cinema documentary which was not featured on the MST DVDs.

Episodes Released on Blu-Ray:
It Lives By Night (The Bat People)

Are these a good argument for releasing more episodes on blu-ray?  Well, half of them are a slight improvement over their DVD counterparts, a couple look the same, and a couple look worse.  It's a case by case basis, though I think using them as bonus features rather than releasing full sets on the format is a good move because some of them just aren't worth the upgrade and getting pristine prints of the unriffed films are actually kind of cool.

I'm curious about Shout Factory's release pattern for these, which seems a bit inconsistent.  They've released quite a few films that have been on the show on blu-ray, but only a select group featured episodes as bonus features.  After releasing Mole People and Deadly Mantis, Shout also released a blu-ray of The Leech Woman licensed from Universal which had the MST episode conspicuously absent, as was the Arkoff licensed War of the Colossal Beast, which was released after The Spider.  Meanwhile other films like Incredible Melting Man and Diabolik are released by Shout without an MST episode. I'm curious if they are using episodes to beef up supplements when bonus features come up short, though even still some of these releases seem a tad light on content anyway.  Leech Woman in particular only boasts a commentary over some of the releases I've covered here.  It's possible some of these rights owners didn't want the MST version included with the uncut film, which is probably understandable.

But this little corner of the MST marketplace is interesting, even if it is slight and niche.  The series has no real reason to be on blu-ray, but these releases exist.  That existence by itself is curious to me, because they make no real argument that more should be made, yet one pops up every once in a while.  I'm happy to have them, even if the only real reason to be buying them are the movies themselves and not the actual show.

Mystery Science Theater 3000: 25th Anniversary Edition DVD Retrospective


Release Date:  December 10, 2013


Episodes Featured:
Moon Zero Two

It's been five full years since Shout Factory started their epic run of the series with the 20th Anniversary Edition box set.  So naturally we need a 25th Anniversary Edition now!  And to celebrate we have a bonus disc of the host changeover episodes, Mitchell and The Brain That Wouldn't Die, so this set actually has two more episodes than your average box set, and they're two good ones too!  And even though they've already been released on DVD, the Rhino editions had long since been out of print, so this was a good buy.

Unfortunately the new-to-DVD episodes are all over the map.  There is a great one, a really good one, an okay one, and my least favorite episode of the series.  The additional episodes sway the rating of the set, but if we ignore that bonus disc, the episode selection is kind of a snoozer.  Mitchell is by a good margin the best episode of the set, while The Day the Earth Froze would be if we didn't factor Mitchell in at all.  The Leech Woman is a fairly solid third, while Brain That Wouldn't Die tails it by a fraction.  Finishing off these episodes, Gorgo is too humdrum to be in the same league as the others while Moon Zero Two is just bad.  Moon Zero Two has a fanbase calling it the best episode of its season...yeah, I can't back that.  That episode just lulls me and makes me wish I were doing something else.

Average Rating (out of 4):  2.833 (2.5 without the bonus episodes)

The audio and video is mostly good, though Brain That Wouldn't Die is notably a lesser transfer than it's Rhino counterpart and Leech Woman was spotty.  Highlighting the bonus features is the three-part Return to Eden Prairie documentary, which focuses on little aspects of the MST legacy that most might not be familiar with, like crew, locations, and minor characters.  MST related bonus features also include The Last Flight of Joel Robinson, in which Joel Hodgson reflects on leaving the series, and Life After MST3K:  Mary Jo Pehl, where Mary Jo discusses her post-MST career (this was filmed before she and Bridget (Jones) Nelson started their own series of riffs on Rifftrax, mind you).  On the movie end, we have a documentary on the making of Gorgo, a discussion on Moon Zero Two by Hammer film historian Constantine Nasr, and an interview with Marilyn Neilson, who had a small part in The Brain That Wouldn't Die.  Rounding out the set are MST Hour wraps for The Day the Earth Froze; theatrical trailers for Moon Zero Two, The Day the Earth Froze, The Leech Woman, and Gorgo, and finally a small cameo by Gorgo guest star and professional film critic Leonard Maltin wishing MST a happy anniversary.

The set is a little unique for box sets, as it was packaged in a tin, which wasn't unusual in itself.  What was unusual was that there wasn't a cardboard box for easy display inside it, however a cardboard box was offered for free on Shout Factory's website for those who wanted it.  Both the tin and the box have the same art, which is a detour from the normal stock art usually used for these sets.  This art features the MST logo much smaller and in the top right corner, while the Satellite of Love is mostly centered against a starry backdrop hovering over the title Mystery Science Theater 3000:  25th Anniversary Edition.  At the bottom are the theater seat silhouettes from the series.  As usual for a Shout Factory box set, original art by Steve Vance is used for individual cases and accompanying mini-posters.  Moon Zero Two features Crow and Tom Servo in space suits on the surface of the moon getting into a laser gun fight.  The Day the Earth Froze features Servo as the hero Lemminkainen being iced over by the witch, played by Crow.  The Leech Woman features Servo as a native woman about to strike explorer Crow with his deadly ring.  The last case is a bit of an oddity, as it is split between three different art pieces, as this case featured three episodes spread across two discs.  Gorgo's art has Servo and Crow cowering in fear from an inferno in which Gorgo is emerging from.  Mitchell features Crow as the title character holding Servo, dressed as Linda Evans while a helicopter hovers behind them.  The Brain That Wouldn't Die has Servo as a mad scientist looking down on the disembodied head of Crow.  The only one of these that is given a mini-poster is Gorgo, which is flipped on its side since the art is of different dimension than the usual art piece seen with these releases.

Disc art is the traditional starry backdrop with the movie logo, though the menus are still delightfully creative CGI skits with stock quotes from the episodes.  Moon Zero Two has Joel, Crow, and Servo work on a rocket tied to an asteroid and chase off a space racoon.  The Day the Earth Froze features Crow and Servo being harassed by the witch as they try to forge a Sampo.  The Leech Woman features Crow and Servo as native guards escorting Mike to be sacrificed to make a woman young again.  In Gorgo, Crow and Servo run the show that is showing off Gorgo to...mostly just Mike.  The Mitchell/Brain That Wouldn't Die disc breaks from the norm, which features both Mitchell and Jan in the Pan conversing between two separate comic book panels.

25th Anniversary Edition gives us four good-to-great episodes, which is the best one can ask for in an MST box set.  But the problem is that two of those episodes are episodes that long-time collectors already had on DVD.  If you didn't have Mitchell and The Brain That Wouldn't Die then this set was a no-brainer.  The new-to-DVD episodes are much more inconsistent, even though The Day the Earth Froze and The Leech Woman are both well worth having.  But one thing to keep in mind about this set is that it's six episodes for the price of a regular set, which is an excellent value.  If you're starting to collect them, this might be an enticing place to start.  Just don't set hopes too high that everything here is a winner.

Mystery Science Theater 3000 Single DVD Releases


It's the year 2000 and television on home media is about to make an impact in a big, bad way as seasonal sets are about to become big business for studios.  But there is some residual from the days of VHS, when only a handful of episodes (if you're lucky) are offered per release.  Some shows could get away with releasing their entire series like this, Star Trek notably (us Trekkies are huge nerds/completionists).  If film rights weren't such a bitch, Mystery Science Theater 3000 might have got away with it too.  When you have one of those shows that has that fanbase that tapes every episode, that means you have a fanbase that will buy every episode.  It took several decades and a reboot to finally release a seasonal set, but these releases started out as single episode releases back in the year 2000.  And while most migrated to the four episode box set format it would eventually adopt, MST3K never really dropped the single episode release idea either, even if it did evolve as it went.

MST on DVD started with Mystery Science Theater 3000:  The Movie, which was released by Image Entertainment licensed from Universal Pictures while DVD was in its infancy in 1998.  This early DVD features quite a few of what would be considered "DVD sins" in the years since its release.  It has no menu, features a subpar transfer, non-animorphic widescreen, and no bonus features.  It's just pop the disc in, and the movie plays, looking a bit better than the VHS copy, but nothing worth writing home about.  The one noteworthy thing about this release is that the film is unaltered, as all future releases of the film has the opening Universal logo, which was initially the 1990 version of the logo, replaced by the Universal logo that debuted in 1997, the year after the film came out.  This Image DVD is the only disc release that leaves the original logo intact.  But I think for most that might not be a big deal.

However despite how bad this disc was, Universal pulled its contract with Image Entertainment and the disc went out of print, which led to copies of this disc going for obscene prices on eBay in aftermarket sales.  What hurts so much about this is that fans were rabid enough to pay these prices, even though the product was not worth the money they were spending.  But at the time we had no idea if the film would ever be re-issued, which it eventually was.  I was lucky enough to not be suckered into paying $150 for a non-animorphic DVD, so I'm thankful for that.  I do actually own a copy of the disc for posterity's sake, which I bought for about twelve bucks last year.  I have no intention of watching this particular version again, but I guess you can say I own it ironically.  For years it was a holy grail collector's item, and now it's just a coaster.

A few years after this disc's release, Rhino Home Video, who was releasing episodes of the series on VHS, made the decision to jump to DVD.  They started with titles they had already licensed, pumping them out two at a time and starting with the episodes Eegah and The Brain That Wouldn't Die in early 2000.  These discs were a large improvement over the Image release of The Movie, as the video was superior and bonuses were featured.  Like Rhino's VHS tapes, these single episode discs had a box art that featured a promotional still from the movie with the theater seats at the bottom and word balloons that displayed humorous captions (some were more successful than others).  Probably the most innovative thing about this pair of discs is that there is an emphasis on making the movie featured in each episode a bit of a centerpiece.  Brain's primary bonus feature is an uncut version of the film and while Eegah doesn't supply one, it does have a little pop-up icon that appears during the episode that allows the viewer to watch scenes from the movie that were deleted from the episode.  The big downside to Eegah's presentation is that there is no way to turn the icon off, so every time you watch the episode you have to put up with a little Crow head that appears off and on during the episode.  The disc menus are both the same, featuring cutouts of Crow, Tom Servo, and Gypsy on the Satellite of Love bridge with swaying around (the music differs between the two releases, Eegah being the theme and Brain being music from the movie).  Disc art for Eegah was the still from the cover, while Brain was a flipper disc that featured the MST episode on one side and the uncut movie on the other, so it had no disc art.

Rhino eventually followed these episodes with two more episodes, The Wild Wild World of Batwoman and Beginning of the End.  These episodes followed suit of Brain That Wouldn't Die over Eegah, as both featured the MST episode and an uncut version of the film.  The one thing they didn't follow was that instead of utilizing a flipper disc, they holds both versions on one side and the disc feature disc art.  It's just a cheesy starry backdrop with titles over them, but it's disc art nonetheless.  These utilized the same menus as the previous discs.

"Manos" The Hands of Fate and Mitchell followed suit a few months later, however these discs dropped the uncut versions of the films as special features.  I don't believe there is any "official" reason as to why, but one can assume maybe fans complained "Why would I want to watch these movies without MST3K?" (and I say those fans are cowards), or it could just be they didn't have available prints of these movies.  Instead Manos featured the MST3K blooper reel Poopie! as a bonus, while Mitchell only featured a trailer to the film.  The menus are different as well, this time using the theater doors as an sort of intro-screen before a full menu of Joel and the Bots looking at a clip from the movie.  Disc art became more simple, as the disc was just plain frosty silver with clear lettering and logos on it.

I Accuse My Parents and Red Zone Cuba were released the following year, and neither had bonus features, as finally Rhino scaled back to mostly minimalist qualities.  The episode presentations were still pretty good, and you got new menus for each release.  However one bizarre thing that Rhino did with their menus began with the Red Zone Cuba disc, which utilized the Mike era doors to introduce the menu of the Mike era episode, but in the menu itself it would feature Joel sitting in the theater seat.  This would last all throughout Rhino's tenure with releasing the series on DVD.

The last gasp of single disc releases for Rhino before they switched to the four episode volume format were The Crawling Hand and The Hellcats.  The only thing they bring to the table is that they bring back the uncut versions of the films featured, while they also feature trailers for the films as well.  Rhino then, probably wisely, abandoned the single episode format.  However, it wasn't dead, as we'd find out a few years later.

In 2008, fans would hear word that Shout Factory would acquire the license from Rhino for future DVD releases, and almost coinciding with this announcement Universal had announced they were re-issuing MST3K:  The Movie on DVD, this time under their Rogue Pictures banner which they usually used for films with niche or cult appeal that they didn't really want their primary logo on.  There are still no special features on this release, but it's a huge improvement on the Image disc based on it having both a menu and animorphic widescreen.  But as stated before, the opening logos have been altered for some bizarre reason.  The cover art is very strange, mostly a glossy blue color.  There are fairly basic theater seats at the bottom, and the MST logo is completely remade and on the planet Mars for some reason.  I don't know if they didn't want to shell out money for to Jim Mallon for use of the actual logo or if they thought this was "cooler," but holy crap this cover is something else.

Normally one would assume that this would have been MST's last single disc release, but after a few years Shout Factory would experiment with a series they called "Shout Select," which were a series of online exclusive discs of previously released episodes aimed at collectors who had not purchased the Rhino discs.  These discs were barebones and featured stock art and menus, both utilizing a starry backdrop with title logos and the theater seat silhouettes at the bottom of the image.  I don't think these discs sold super well, as the line just kind of disappeared after a while, while the "Shout Select" brand re-emerged as a blu-ray line for cult films years later.  But like Rhino's singles, they were released two at a time every few months.  They started out with Beginning of the End and Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, followed with Gunslinger and Hamlet, then came The Unearthly and Red Zone Cuba, another pair in Atomic Brain and Touch of Satan, before ending the line with The Wild Wild World of Batwoman and Girl in Gold Boots.

While these discs were being produced, Shout experimented some more by doing a two-disc special edition release of the show's most popular episode, "Manos" The Hands of Fate.  This is a completely loaded set, featuring new interviews with the MST cast, an uncut version of the film, the Hotel Torgo documentary, the two Hired! shorts edited together, and a documentary on Jam Handy.  Like the box sets that Shout was doing at the time, there was box art by Steve Vance, which feature Crow and Tom Servo dressed up as the wives of the Master as the Master himself hovers above them.  There is also a CGI skit used for the menu, which featured Crow and Servo having a barbeque on the Satellite of Love bridge and harassed by Torgo and the Master.

Once again, you would think this would be the end of it, but it's not.  Shout then did an interesting little stunt of bargain bin releases.  What they did was they took episodes from box sets that they had released and took those discs and released them as singles for about ten bucks in stores like Target, maybe trying to trigger impulse buys from people who don't know what the series is.  These releases are very odd, because even though I understand what their motive might have been, there is something a bit off about how they're done.  For starters, their first attempt at this was in 2013 with a single of Zombie Nightmare.  Then three years later they do it again with releases of The Mad Monster and The Undead, before releasing one final episode in The Black Scorpion.  Zombie Nightmare and The Undead aren't necessarily poor episodes to do this with, but if you're targeting impulse buys from people who don't know what the show is, Mad Monster and Black Scorpion are first season episodes and I think most would agree that first season episodes are not good starters for the series.  These are the only four episodes they did this with, and then their quiet attempt at continuing singles died out.

Episodes Released:

Interestingly, single releases are still continuing to this day, just on a different format.  Shout Factory and Film Detective have released a handful of episodes as bonus features with blu-rays of uncut MST films.  This seems like its a smarter way to introduce newbies to the series than those last few DVD singles because someone may find it as a bonus on the copy of the film they bought and maybe they just might dig it.  So, in a weird way, the single spirit is still alive.

It's funny to think about how these types of releases have persisted throughout the last few decades even though they became obsolete.  Some episodes are even only available as singles, such as The Wild Wild World of Batwoman, Beginning of the End, and Red Zone Cuba.  "Manos" The Hands of Fate was technically never released in a traditional box set either, though it was featured in a double feature pack called The Essentials with Santa Claus Conquers the Martians.  At any rate, the show's dysfunctional DVD history is kind of interesting to me and it probably always will be, even as physical media becomes obsolete.  But when the apocalypse comes and the internet falls, I'll always have these discs next to me.  Who's laughing now, losers?!

513-The Brain That Wouldn't Die


Film Year:  1962
Genre:  Horror, Noir
Director:  Joseph Green
Starring:  Jason Evers, Virginia Leith, Leslie Daniel, Adele Lamont
MST Season:  5

The Movie

I hope you're in the mood to be leery, because the name of the game this week is checking out women's hourglass figures, all in the name of giving a disembodied head a new body.  It's means to an end, because the only reason this movie exists is to exploit the buxom beauties that inhabit the picture.  The main premise sees a scientist who finds he accidentally decapitated his fiancĂ© in a car accident.  He scoops up her head and keeps it on life support, and he goes out seeking a new body for her.  Meanwhile, the surviving head begs for death and henpecks her husband's assistant.

The premise has strengths to it, the ultimate problem with The Brain That Wouldn't Die is that its premise wears thin and it limps on with one-note sequences of our male lead staring at women to a jazzy sleaze score.  I'm not one to complain about the female form filling out my TV screen, but it occurs to me that The Brain That Wouldn't Die doesn't have a lot of content.  It runs circles with its speeches of playing god, a nagging head that just says "Let me die," and talking about sexual attraction in pickup lines.  It's not really an effective horror movie nor is it sexy enough to make me feel naughty.

There is something oddly alluring about how it tries to dip into the macabre and the taboo.  It's movie that leaves you feeling gross, it's a bit gorier and more graphic than many of its contemporaries.  It's never convincing, as its too cheap to convince us that a man with an arm torn off isn't just some dude with his actual arm tucked into his shirt, or that a giant monster isn't just a tall dude with a tied up rubber mask.  Points for ambition though.


Weirdly enough, the movie seemed to juggle a few alternate titles, and "The Brain That Wouldn't Die" may have been a last minute change, as the end credits state the title as being "The Head That Wouldn't Die."  This seems to have something to do with the film's public domain status, in which something similar happened to Night of the Living Dead, which changed its title from "Night of Anubis" before release and accidentally deleting its own copyright notice.  This movie does have a copyright notice on the final product, but apparently something voids it (is it because it's under the "Head" title at the end of the film?  Dunno, throwing theories out there).  It's a curious little error in the movie though.

That's about the extent of the interest in it though.  It feels padded to hell and a bit undercooked, though it's not a forgettable movie by any means.  Though I do wonder what our mad scientist main character thinks is going to happen once his objecting girlfriend is unwillingly grafted to a new body.  I mean, the best he can hope for is that she just leaves him.  At worst...well, those are some dark depths of depressive thinking that I don't think the movie was smart enough to consider.

But apparently Virginia Leith hated making the film so much that she went to her grave having never seen it.  It's probably the closest she ever had to a "star-making" role and she's pretty good in it, so that's a tad unfortunate.  I doubt she would have gotten much out of witnessing it, but if there's one thing most people take away from watching this movie, it's a love for Jan in the Pan.


The Episode

It's time.  Joel Robinson has left the Satellite of Love and Mike Nelson is in the theater.  For some, this was the moment when the show was just not the same.  For others, it was a different flavor that tasted just as delicious.  I have no actual contextual insight into this transition from a fan's perspective.  I first got into the series during the Sci-Fi Channel era, in which Mike was the many years established host of the show, and it was Joel that I had to warm up to by working backwards.  I can say that I have done what every fan should do at least once and watched the entire series in chronological order, and I will say there is indeed a different vibe once you switch from Joel to Mike.  I'd hesitate to say that Mystery Science Theater 3000 was too different after this episode, but there is something there that inhabits the show enough that it feels like the show has changed.

How does Mike do?  He feels a bit awkward in his first episode, but he lets loose guns blazing.  There seems like there is an overcompensation from the show's familiar cast to encourage the audience to be won over by him.  His Invention Exchange of the Gutter-Bumber-Chute isn't that funny, but the Bots are kissing his ass throughout the entire segment, while the Mads invention is too vague to actually be more impressive than Mike's, though it gets more laughs just for Frank alone.  Then when he gets into the theater, they try to support a few of his jokes with the sucking-up dialogue of "Good one, new guy!" and the like.  What kind of sucks about this is that a lot of the jokes propped up are indeed pretty solid, and they don't need to sell the audience on the fact that Mike is a funny guy as hard as they're doing.  They need to just let Mike be Mike, because he's been head writer on the series for years and obviously he's good at his job and can deliver a killer punchline.

The riffing of the film itself is pretty strong, all things considered.  The film goes through lengthy phases, and Mike and the Bots evolve with it.  It starts out with a long, silent surgery scene, switches to a bizarrely framed car wreck ("HELP!  THE ROAD IS ATTACKING ME!"), before weaving between science lab and girl leering, before a bizarre climax of gore and melodrama.  The crew leans into all of this like professionals, and plays it all up.  They lighten up the darkness of Janet's suicidal thoughts with a mockery of the absurdity of her situation, while they spice up the sex appeal of the various model posing with their playing up just how sleazy it is.  The climax of the movie is the big treat, as the melodrama hits high, a character loses an arm and just blindly stumbles around the house for several minutes of runtime, giving way for many arm puns along the way ("I guess you'd call that a Farewell to Arms!" "Ironically he collapses into an Arm Chair!").  There is also a sequence where a would-be victim is given what is essentially a date rape drug, but the tone is lightened with some strong "drunk-vision" that liven up a dark situation ("I LOOOOOOOOVE THIS PLACE!").

The host segments mostly take their time to make us warm up to our new host.  There is a cute opening, where Mike is "training" by watching The Beast of Yucca Flats and Night of the Lepus (incidentally, the former would later get its own MST episode while the latter would feature on Rifftrax).  Mike tries his first escape attempt, leading to the question that we all wonder at least once in our lives:  "If it's not cheese, what is it?"  Mike then shares a very embarrassing story to help bond with the Bots and it predictably backfires, while they also make hats as gifts to Jan in the Pan.  They should have taken the opportunity to deliver them in person, as Janet visits on the Hexfield in the finale (played by Mary Jo Pehl), delivers a bunch of "head" and "pan" puns, and gets pissed at Mike.  I guess she was a Joel fan.

Despite a few "propping up the new guy" blemishes, The Brain That Wouldn't Die is a pretty strong debut for Mike, and would probably be one of his stronger episodes of the season, at least for a few episodes when he starts delivering bangers latter in the season.  While I understand the loyalty to Joel, there is enough here to believe in the future of MST3K, and I think the new guy has a lot of promise.

Good


The DVD and Blu-Ray

The Brain That Wouldn't Die has been issued three times on physical media.  The first was a single disc by Rhino Home Video, featuring quality audio and video.  Special features featured a full frame presentation of the uncut movie, with scratchy audio and video.

Shout Factory later reissued as a bonus episode on the 25th Anniversary Edition DVD collection, where it shares a disc with Mitchell.  There are slight flaws to the video but good audio on this release, while bonus features include an interview with Joel discussing the transition to Mike on the series, and also an interview with film supporting player Marilyn Neilson.

The episode was reissued one more time on a blu-ray of the unriffed Brain That Wouldn't Die film.  Strangely despite being the superior format, the transfer here is the worst we've seen yet, sporting a low contrast and a high darkness, similar to Rhino Home Video's infamous Merlin's Shop of Mystical Wonders disc.  That being said, the transfer to the uncut film is gorgeous, pristine, and in widescreen.  Also featured is an audio commentary on the film by Steve Haberman and Tony Sasso (which is very tongue in cheek and amusing), a still gallery, and an audio-less alternate scene for the foreign version of the film, in which Adele Lamont (depicted in a bikini in the film) is fully nude during her posing session, showing bare breasts and a portion of her buttocks.  The bonus package makes this disc a must have (unfortunately it's discontinued), but for episode presentation, the Rhino disc is the one to keep.