Wednesday, July 8, 2020

Turkey Day 2016 - Top Six Episodes (MST3K Special)


So during the post-production updates from the Bring Back Mystery Science Theater 3000 Kickstarter, Joel asked the fans to fill out a survey of their favorite episodes.  The top six would be featured in the 2016 Turkey Day Marathon (pending if the rights were available for streaming).  Luckily the top six were all easily acquirable at that time as MSTies rushed to put down predictable selections like Manos, Final Sacrifice, Mitchell, and Space Mutiny.  I recall my list being a bit more left of center.  I put down my usual favorites like Prince of Space, Invasion of the Neptune Men, and Space Mutiny (this one didn't need my help, but I do adore it), but I had some that didn't even make the top one hundred, apparently, like 12 to the Moon and Teenage Crime Wave.

Anyway, the episodes selected were the ones I think everyone thought would be the ones selected.  Maybe there were some minor detours, like Pumaman instead of Cave Dwellers or whatever, but it's hard to bat an eye at any of these.  It's hard to argue with any of them (except Pod People, which I will argue about all fucking day), but this in general was very vanilla in terms of surprises.  In general, the picks are great (with the exception of one), I just prefer more variety in my Turkey Day.  I did find it interesting that the top six just happened to lean perfectly into the host switching format of Mike episode/Joel episode/Mike episode/ect. that Shout Factory adopted for the marathon since reintroducing it.

The bumpers this year sees Joel Hodgson and Jonah Ray co-hosting in a kitchen setting, with the idea being that they would introduce a Thanksgiving dinner course inspired by each episode.  Joel jokes that he always intended for MST3K to stand for "Mystery Science Theater Three Kitchen," to which I respond that it would explain how he eats, but not how he breathes and other science facts.  While it's fun to see Joel and Jonah work off each other, the main failing of the bumpers is that they really just tell the same joke over in over, in which Joel and Jonah are disgusted that whoever prepped the meals kept sticking DVDs in them for decoration.  The only real laugh I got out of the gag is during the introduction to Mitchell, to which Jonah bluntly claims "I'm not sticking that in my DVD player."  If anything, these bumpers give us more of an idea of Jonah as a host as the eleventh season hadn't aired yet, though I imagine selling us on the chemistry between Hampton Yaunt and Baron Vaughn, seeing how the trio would be doing the heavy lifting on the new series as opposed to Joel, who only had cameos and behind the scenes roles.  However, Joel gets my favorite pun of the segments, when he introduces us to the Manos dish, which he dubs "'Manos' The Yams are Great!"

As for the episode journey, since these episodes were selected by fans voting for them, I imagine a lot people will be pleased with them.  As mentioned before, I just find them a bit predictable, but I can't deny loving most of them.  Pumaman is a fun start, though I hit a major low when it comes to Pod People, which is an episode I've never liked at all really.  Final Sacrifice is a major step-up, though I don't consider it on the same level as the other, better episodes in this marathon.  Mitchell, Space Mutiny, and Manos are an even streak of greatness.  Though, if I may point out, Mitchell has been in so many Turkey Days that it's almost a meme.

The Pumaman (2nd Turkey Day)
Pod People (3rd Turkey Day)
The Final Sacrifice (2nd Turkey Day)
Mitchell (5th Turkey Day)
Space Mutiny (2nd Turkey Day)
"Manos" The Hands of Fate (3rd Turkey Day)

Average Rating (out of 4):  3.333

A minor note about this, in the aftermath of these episodes being shown, Joel gave backers a surprise gift that was hinted at during the Kickstarter but we heard little about since.  He released the formerly lost first two KTMA episodes, Invaders from the Deep and Revenge of the Mysterons from Mars, as surprise digital downloads as a big thank you to all of us who contributed.  Unfortunately, the KTMA version of Star Force:  Fugitive Alien II was not among them, making it the sole lost episode today.  But even if the episodes during the Turkey Day were regrettably safe, this particular Turkey Day was a blessing and I was thankful to have it.

For the record, Joel posted the top hundred episodes on the Kickstarter Update section.  This is the cut and paste straight from there, and I'd also like to note that Deadly Mantis being ranked so low is a fucking crime (also, Hamlet is on it in the 70's.  Who'd have thought?):

7. Santa Claus Conquers The Martians - (321)
8. Werewolf - (904)
9. Cave Dwellers - (301)
10
. Time Chasers - (821)

11. Overdrawn At The Memory Bank - (822)
12. I Accuse My Parents - (507)
13. Eegah! - (506)
14. Gamera - (302)
15. Prince of Space - (816)
16. Hobgoblins - (907)
17. Laserblast - (706)
18. Soultaker - (1001)
19. Godzilla vs. Megalon - (212)
20. Jack Frost - (813)

21. Santa Claus - (521)
22. Merlin's Shop of Mystical Wonders - (1003)
23. The Brain That Wouldn't Die - (513)
24. The Touch of Satan - (908)
25. Teenagers From Outer Space - (404)
26. The Day the Earth Froze - (422)
27. Warrior of the Lost World - (501)
28. The Giant Spider Invasion - (810)
29. Catalina Caper - (204)
30. Fugitive Alien - (310)

31. Master Ninja I - (322)
32. Time of the Apes - (306)
33. Gamera vs. Guiron - (312)
34. Final Justice - (1008)
35. Boggy Creek II - (1006)
36. Riding with Death - (814)
37. The Sidehackers - (202)
38. Outlaw (Of Gor) - (519)
39. Future War - (1004)
40. Monster A-Go-Go - (421)

41. "Parts": The Clonus Horror - (811)
42. The Killer Shrews - (407)
43. The Giant Gila Monster - (402)
44. Deathstalker and the Warriors From Hell - (703)
45. Red Zone Cuba - (619)
46. The Girl in Gold Boots - (1002)
47. Alien From L.A. - (516)
48. Hercules Against The Moon Men - (410)
49. Diabolik - (1013)
50. Horror Of Party Beach - (817)

51. The Amazing Colossal Man - (309)
52. Danger! Death Ray - (620)
53. The Creeping Terror - (606)
54. Daddy-O + Alphabet Antics - (307)
55. The Incredibly Strange Creatures… - (812)
56. Lost Continent - (208)
57. Attack Of The Eye Creatures - (418)
58. Squirm - (1012)
59. Star Force: Fugitive Alien II - (318)
60. Zombie Nightmare - (604)

61. Hercules Unchained - (408)
62. Quest of the Delta Knights - (913)
63. The Beast of Yucca Flats - (621)
64. The Screaming Skull - (912)
65. The Magic Sword - (411)
66. The Mole People - (803)
67. Operation Double 007 - (508)
68. Wild, Wild World of Batwoman - (515)
69. The Beginning of the End - (517)
70. Magic Voyage of Sinbad - (505)

71. Agent for H.A.R.M. - (815)
72. Girls Town - (601)
73. Devil Doll - (818)
74. Hamlet - (1009) 
75. Night of the Blood Beast - (701)
76. The Beatniks - (415)
77. Secret Agent Super Dragon - (504)
78. The Starfighters - (612)
79. Bride of the Monster - (423)
80. It Conquered The World - (311) 

81. Rocketship X-M - (201)
82. The Crawling Eye - (101)
83. Moon Zero Two - (111)
84. Godzilla Vs. The Sea Monster - (213)
85. Gamera Vs. Zigra - (316)
86. Robot Holocaust - (110)
87. The Incredible Melting Man - (704)
88. Escape 2000 - (705)
89. Gamera Vs. Gaos - (308)
90. Gamera Vs. Barugon - (304)

91. Tormented - (414)
92. Samson vs. The Vampire Women - (624)
93. Angels' Revenge - (622)
94. Horrors of Spider Island - (1011)
95. Invasion of the Neptune Men - (819)
96. Devil Fish - (911)
97. Master Ninja II - (324)
98. The Deadly Mantis - (804)
99. San Francisco International - (614)
100. Wild Rebels - (207)

Bring Back MST3K Final Countdown Telethon (MST3K Special)


WELCOME TO THE FINAL COUNTDOWN!


Over the course of November into December 2015, Joel Hodgson crowdfunded the return of Mystery Science Theater 3000 for an eleventh season of new episodes.  The Kickstarter was a rousing success, fulfilling its $5.5 million goal the morning of its final day, though Joel threw a curveball at us when he claims they will be willing to create more episodes of the series than they've promised depending on how high the fundraising goes.  This all concluded on a four hour finale "telethon," which was really just a celebration of the fantastic month that they were finishing up, as we watched the money flow and rooted for the money to go higher and higher.

The telethon was a hot mess, and I wouldn't have had it any other way.

For those who weren't there at the time the telethon was live streamed, here is some context for how it started.  They were actually live streaming most of the day, and leading up to the telethon they were playing the episodes Mitchell and The Final Sacrifice, which Joel has gone on record saying are his favorite episodes of the series.  After the episodes, this telethon was supposed to start, but they had a lot of technical difficulties getting the stream started.  They created funny little "Please Stand By" cards with Crow on them to indicate they were having technical difficulties, including a hilarious one that just said "Please Get Out and Push."  Things were not right from the get go.  Finally the stream gets up and running, and it starts with the Kickstarter bumper that opened the fundraising campaign, but we can hear audio from Joel and everyone else running the show along with it.  I can't tell that if this is deliberate or not, but considering how everything went that night, I'm leaning toward it not being so.

The disaster continued throughout the night as the feed dropped in and out constantly and MSTies across the globe had to switch back and forth between two different live streams based on which one was working and which one crapped out.  There were points where the feed looped for no reason, which lead to my favorite meme of the night, Joel saying the words "-segment with Crow?" on repeat, marking the beginning of another loop.  Even the guests who were streaming from different locations were having trouble getting their feeds through.  Jonah Ray, in particular, was supposed to have a sizable chunk of entertainment from a bar in Atlanta, but they had trouble receiving his feed.  From what I hear, even if Jonah couldn't get the feed working, he kept the bar entertained that night anyway.  Probably the most amusing and most grating thing to happen all night is a conversation between Jonah and Patton Oswalt, where Patton's mic is so faulty that all we can hear is loud static.

The show was such a trainwreck that when their intended content fucks up, Patton just busts out his phone and reads Twitter to the audence.

As for the show they're trying to put on, imagine a PBS telethon, only even more low rent and in a comic book store.  Occasionally we get guests who come on and perform, like Kate Micucci of Garfunkle & Oates and The Big Bang Theory, Dana Gould doing his Dr. Zaius routine, Game Grumps (they do a segment where they play the fan-made "Manos" The Hands of Fate game with Hampton Yaunt's Crow), and Robert Lopez, who co-wrote the songs in Frozen, meanwhile Patton and Felicia Day duck in and out and they occasionally play clips from the series (shorts or host segments).  The entertainment value is just kind of a limited, cheesy "thank you for not changing the channel" variety that gets a pass based on how invested fans are in the outcome of the fundraiser and secretly because we're just waiting to see what goes wrong next.  In a way, all the production woes are probably the best possible thing that could have happened.  With those problems this transcended being four hours of cheap, cringy fan pandering into something more memorable and lovably bad.

That being said, there are some undeniably fun moments in the fundraising goals.  You can hear folks cheer during the magic act when they hit $5.9 million, and it's charming that Joel doesn't learn of this until fifteen minutes later because he was busy watching said act and visits with his old friend on stage even as the numbers crank up while he's oblivious to them.  Also, the last minute fourteenth episode goal ends the telethon on a wild note of celebration that's worth seeing.  And in the end, everyone breaks into singing the MST3K theme, though some branch off into singing the Joel version and some branch off into singing the Mike version, reminding us of just how out of tune but enjoyable this whole mess was.

Is it worth watching after the fact?  That's a tough question, because revisiting this five years later gives me some mad nostalgia vibes.  I don't know how this would play without the context of the whole situation that was erupting around it, and how this little celebration kept going wrong, but we didn't care.  If you watch ten minutes of it and go "No," then maybe you shouldn't bother, but this is a very silly thing that happened once and I think it's earned a footnote in MST3K history.  What a ride!

And at the end, we took that "W."  And we felt like we earned it.






Funny or Die: Leaked Star Wars Auditions with the Bots from MST3K (MST3K Special)


In 2015, one of the greatest franchises of all time was rebooted.  That franchise was Mystery Science Theater 3000, which had fundraised over $6 million to create a new season of episodes.  Also a Star Wars movie came out.  I don't really care about that one.

This two minute sketch was created by the wildly popular website Funny or Die, which specializes in short skits/viral videos that sometimes pander to certain fanbases.  In this one, Tom Servo and Crow both audition for the role of BB-8 in Star Wars:  Episode VII - The Force Awakens.  Each one of them doesn't seem to understand the concept of a beeping droid and is slightly insulted by the concept.

I do have an internal debate on whether or not this has enough content to properly review, as it's just a hit and run joke clip.  But as prominent as Funny or Die is in our internet culture, I feel like it's difficult to overlook the fact that they featured an entire "story" around Servo and Crow.  Also, this sketch was made in cooperation with the Bring Back MST3K campaign, and Funny or Die's popularity undoubtedly brought a few bucks in that direction.  I'm sure for more than a few people, this was their first subjection to Servo and Crow, thinking to themselves "Who are these funny little robots?  I like 'em!"

More importantly, this was probably our first good look at Baron Vaughn and Hampton Yaunt as the dynamic duo of Servo and Crow.  We had heard their new takes on the characters in the Kickstarter Bumpers, but they were mostly slaves to what Joel was trying to sell.  Here, they're given a chance to just cut loose and do something silly, and I'll say it's greatly impressive.  Hampton, in particular, is on fire the entire sketch, from his introduction as "Crow T. Robot, Non-Union" to demanding "Which one of you is George Lucas?  Is it you?  Oh, sorry ma'am."  Baron's Servo has a great streak of beeping before concluding "We don't all beep, you know?"

This is one of the few times Baron and Hampton were showcased with traditional Servo and Crow puppets from the original series, as the bots hadn't seen their revamped models with working arms yet.  But even without the extra articulation, Baron and Hampton are able to show off that our favorite puppets are in safe hands.  This Funny or Die sketch is a winner, and it won't take too much time out of your life.

Unlike this review, which likely took longer to read than the sketch takes to watch.


Turkey Day 2015 - #BringBackMST3K (MST3K Special)


Is there such a thing as watching too much of the same episodes of MST3K?  We've been mining the same 197 episodes every Thanksgiving for sixteen years.  And when Shout Factory started hosting the marathons, they are limited to what episodes they have streaming rights to, which probably tops out at about half of them.  Will we ever get our fill on them?  Probably not.

But for the first time since 1997 we have an optimist Turkey Day Marathon with the hope that we may see new episodes of Mystery Science Theater 3000 that can be used in Turkey Day Marathons to come.  The 2015 marathon is a bit of a special one, as it aired during the halfway point of the Kickstarter to revive the show.  By the time the marathon aired, we were well past the $2 million point to bring back the series for three episodes, so we already had a small victory of sorts (one of those first three episodes wound up being the first revival episode featured during a Turkey Day Marathon in 2018).  But we still had a ways to go before we reached the $5.5 million we needed for the full twelve (eventually fourteen), so this Turkey Day was a strategic move to help promote the Kickstarter and reach for a full season.

This year's theme has Joel visiting Kickstarter headquarters for Thanksgiving.  Based on photos I found on Google, the location looks legit and this is the real Kickstarter HQ.  I'm less certain about the people showcased that are said to be Kickstarter employees.  If they are legit, they have great onscreen demeanor, but they come off as actors (the only one I'm certain is real is CEO Yancy Strickler).  But I'd be delighted to be proven wrong if it ever comes to that point.  But I'm never wrong, so that will never happen.

Edit:  Ashley Holtgraver commented below and confirmed that these were indeed Kickstarter employees, so I definitely was wrong.  There's a first time for everything!

Joel tours the offices starting at the reception desk, where he mingles with Jackie the receptionist, who has never seen an episode of MST and has no idea what he's talking about.  From there he heads to the kitchen and mixes up potpourri with cider while making cornbread.  While feeding cornbread to the Kickstarter employees, he asks Kickstarter CEO Yancy Strickler what he's thankful for, and he responds "I'm just thankful that I don't normally have to watch this many crappy movies in a row." (That settles it, next year Transformers marathon at Kickstarter).  From then on, Joel interviews Ashley Holtgraver, who had her letter read on Fire Maidens of Outer Space.  Ashley has grown up to enter the software business and even became a musician.  Ashley treats us to a specialized remix of the MST theme to close out this special Turkey Day Marathon.


As for the episode journey, this is one of the best Turkey Days.  Our appetizing courses are led off with indisputable classics Outlaw and Eegah, while the main course of our meal starts with the mildly disappointing Gorgo before spiking with Teenagers from Outer Space.  For desert we have the sugary goodness of Danger!! Death Ray and Santa Claus Conquers the Martians.  If I had one observation about this episode line-up, I think it peaks really early.  Outlaw and Eegah are not exactly head and shoulders above the others, but I feel they're clearly the best episodes of the night.  Also, it's a bit of a missed opportunity to bring Ashley Holtgraver on if you weren't going to show the episode her letter was on.  This isn't really anyone's fault, as Fire Maidens of Outer Space hasn't been licensed by Shout Factory for release on neither streaming nor DVD (the rights are owned by Paramount and at the time of this Kickstarter were tied up with Olive Films for a blu-ray release, and as far as we know are still tied up there), but showing that episode during this marathon would have been killer.

I also feel like noting that this is the first Turkey Day featuring Eegah.  When I compiled this list, I thought to myself "That has to be wrong."  Sure enough, Eegah has never been on a Turkey Day until 2015.  That's baffling.

Outlaw (2nd Turkey Day)
Eegah
Gorgo
Teenagers from Outer Space (2nd Turkey Day)
Danger!!  Death Ray
Santa Claus Conquers the Martians (3rd Turkey Day)

Average Rating (out of 4):  3.5

Throughout the bumpers, Joel receives phone calls from Jonah Ray, Crow (played by Hampton Yaunt), and Tom Servo (played by Baron Vaughn) to help us get used to these new cast.  I can't help but be won over by Joel's enthusiasm and the charisma of this new cast.  Add in an excellent episode lineup and you have one hell of a Thanksgiving experience.  This was just what we needed in the middle of that amazing Kickstarter as we continued on our way to a brand new season of fourteen episodes.  It's a Turkey Day miracle!

Bring Back MST3K Kickstarter Bumpers (MST3K Special)



On November 10, 2015, the Bring Back MST3K Kickstarter went live, and instantly I was like...


But Joel refused to shut up, because he had a show to sell.  And he sold it very well.  He initially asked for $2 million to make three new episodes of Mystery Science Theater 3000 and wound up with enough money to make fourteen.  And thus, the eleventh season of Mystery Science Theater 3000 reached conception.  Gestation and the painful process of birth could now begin.

These little bumper videos were pre-recorded by Joel and Shout Factory to help sell the concept of the new series, all the while being "riffed" and asked questions by Jonah, Tom Servo, and Crow in theater seats down at the bottom.  But these videos weren't always up to date with the latest info, to get that we had to read the backer updates on Kickstarter.  For example, Joel only came up with the idea to hire Patton Oswalt for the show as the Kickstarter was running, so Patton isn't in the videos (he was hilariously pasted in with photoshop TV's Frank hair onto the promo image about halfway through).  But the backer updates gave a more thorough breakdown of him getting on board, including the origin of the name "TV's Son of TV's Frank" (while that's a joke in the final series, his name is simply Max in the end).

The first bumper features Joel explaining the Kickstarter and what the goal is, and giving an idea of what kind of backer rewards are offered.  What's interesting about this bumper in retrospect is that it gives off an idea of what the new MST3K will be like by having Jonah Ray, Baron Vaughn, and Hampton Yaunt plucking away in the theater seats, letting us know it's a new cast, but it doesn't really tell us who the new cast is...or even if these people are the new cast or just there for promo purposes.

Joel let's us simmer with that wuestion for about a week then breaks out a new bumper introducing us to Jonah, then about a few weeks later Joel introduces us to Baron, Hampton, and Felicia Day as Servo, Crow, and Kinga Forrester.  These climax with some fun sketchwork as Jonah and the Bots join Joel on the screen before Kinga storms in and bursts their bubble.  Felicia is an all-star here, as she's easily the funniest presence here (though Hampton has been no slouch during these segments either).  There's a little hint of sexual attraction between her and Jonah, which is kind of dropped in the show, though re-invented as Kinga being interested in a publicity stunt relationship with the host.  But if they had gone the route they began seeding here, it probably would have been successful too, because Kinga's overt aggresive flirting is pretty fun.

Interestingly, Jonah's name was actually leaked before this, as was the rest of the cast (except Patton, as he hadn't been invited to join yet) through an online article.  The only members I was familiar with were Felicia and I think I've seen Baron on a comedy special once (though I could easily be thinking of someone else).  I was also familiar with Patton, because who hasn't seen Ratatouille?  But Patton isn't really relevant to these bumpers.  If I get any sort of impression of the new cast, it's that the thing I need to work hardest to accept is that Servo has a voice that isn't Kevin Murphy (not to knock Josh Weinstein's establishing work, but we spent nine years with Kevin and another sixteen on top of that watching his episodes over and over), but I was thrilled with the chemistry of the new cast.  And I definitely knew Felicia was going to knock it out of the park.

One note of interest here is that while it's common knowledge now that Baron and Hampton don't do their own puppeteering, it's interesting to note that they're using a stand in for Jonah in the theater seats.  This is especially glaring now that we know what Jonah's theater silhouette looks like.  Jonah's a pretty big dude, way taller than Joel or Mike, and the guy they have in the theater seats is a very slim guy, about as tall as Joel and Mike.  It's just strange to see this guy in between Servo and Crow in retrospect.

The technical issues are the subject of the final bumper, in which Joel confirms that puppets and models will be used for the series, the show will be in widescreen, and the show will be in HD.  This is just the tip of the iceberg in the frequently asked questions, as he did guide people to the Kickstarter page to answer even deeper questions.  Questions like "Why do you hate Mike, Trace, and Frank?" were mostly ignored for being stupid.

In the end, these bumpers did exactly what they needed to do and sold the series to exactly who they needed to sell the show to.  We all have opinions on how the final product turned out, be it positive or negative, but I think for those who participated in the Kickstarter experience, the ordeal was magical and these bumpers helped make it a special time in our lives.  They're little more than a curiosity now, but they were a sign of hope for this dormant fanbase back in the day.

1109-Yongary, Monster from the Deep


Film Year:  1967
Genre:  Science Fiction
Director:  Kim Ki-duk
Starring:  Oh Yeong-il, Nam Jeong-im, Kwang Ho Lee, Lee Sun-jae, Moon Kang, Cho Kyong-min
MST Season:  11

The Movie

*I HAVE SURVIVED WATCHING THIS MOVIE UNRIFFED*

Inspired by the kaiju flicks that are so popular in Japan (but don't call this a kaiju flick, or weebs will jump your ass), South Korea gets in on the monster action with Yongary, Monster from the Deep.  This flick sees a giant lizard being awakened underground and rampaging through cities, before dancing with a gun that makes it itchy and being stopped via biological warfare.

The thing that sticks out to me about Yongary is how janky it is.  Despite knowing it wanted to be like a kaiju flick, it didn't really seem to know what audience of that fanbase it wanted to cater to.  It tries to be a halfway point between the somber man vs. nature Godzilla movie, a sci-fi adventure like The Mysterians, and the goofy friend of children Gamera movie, and wound up succeeding at none of it.  The film starts out with quirky characters on a sci-fi mission, then it morphs into a monster terrorizing a city flick, before trying to play the "monster is misunderstood" card briefly just moments before the endgame plan is put into place and the monster dies horrifically, like a pest you don't want in your house.  This movie goes to so many separate places during its runtime, that it's hard to not be charmed by just how much effort it's going to, but it never succeeds as a cohesive whole.

To be fair, most of Yongary's problems come from that third act, because it second guesses itself.  The monster is either something that needs to be stopped or it's something that needs to be coexisted with, it can't be both.  The film goes down a path of exploring whether Yongary really is a menace, but then decides to not bother with it and poison the fucker, ending with a drawn out death scene where Yongary bleeds rectally.  This isn't a proper payoff to the path that you embarked on.  Even if you chose to not try and sympathize with the monster at all during the film, this is an anti-climax that lacks conflict.  Yongary just stands there, and our heroes just spray him, end of movie.  I think the intent of the film is that Yongary is a living being with complex emotions like all living beings, but was too big to live in this world and had to be put down for the sake of humanity, but that message gets lost when the characters are all smiles in their jokey happily ever after epilogue.

But it's the silly characters that give Yongary what watchability it has.  This family of people caught up in Yongary's rise are a fun group of characters to be around, and it's a kick to see them try and counteract the monster.  This isn't the most consistent film ever made, but you can't say it's not fun to watch.

At the same time, there is something to say about how gloriously staged it is.  Sets, props, and the Yongary suit all feel fake and plastic, and say what you will about Godzilla movies but even the worst ones try and add weight and dimension to their limited special effects budget.  Yongary is more deliciously fake looking, adding a comedic surrealism to the entire film that somewhat makes tonal shifts and goofy characters feel natural to this world.

Yongary was "remade" (and I use the term loosely) in 1999 as a crappy CGI monster movie that was released in the US under the title of Reptilian.  Believe it or not, that movie is ten times worse than this one, and probably be a great choice for Mystery Science Theater one day.  But in the meantime, we'll take the original and have fun with it, which I suppose "having fun" is the intended reaction.


The Episode

"You know, as Godzilla was a parable to nuclear war, Yongary is a parable to copyright infringement."

I had seen Yongary quite a while ago when I was much younger, and while I didn't remember much specifics about how the plot unfolded, I do remember its tonal inconsistency.  When I heard they used it for the new MST, my initial reaction was "Ooh!  Rubber suit monster movie!" then a pause and remembering just how strange Yongary was as a film.  I was curious about what they would do with it.

Of the giant monster movies that have graced the new MST, which also includes Reptilicus and Atlantic Rim, Yongary is likely the best one, and the craziness of the movie is only one of the contributing factors.  Jonah and the Bots weave and turn with the movie with ease, switching their reactions up depending on what kind of scene they're watching, from fakey science fiction to monster rampage to goofy kid dancing with giant lizard.  The only turn that seems to jar them is Yongary's surprisingly gruesome death scene, which just depresses them, because it doesn't match the jovial flow of the rest of the movie.

While the genre commentary is to be commended here, I think what really makes the episode are the characters.  Our main characters, despite being scientists and pilots for complicated aircraft and such, have a kooky, misfit dynamic.  There is a lot of fun to be had with them, especially the child character who hangs around them, Ichi, who has a ray gun that makes people itch.  The way Jonah and the Bots play with the character interaction in this film is really fun, and I'd probably argue that the honeymoon scene is one of the most hilarious scenes in the history of the show.

"Time to earn all that expensive oxygen!"

Host segments are on the light side, this time.  There is nothing particularly memorable about them, as they all kind of irreverent inspirations from the movie.  Jonah talks about how you can learn a lot about astronauts by finding out what music they listen to, decide what monster they'd like to be friends with, and also unleash a Yongary Nights night club on us.  The concluding song, "Push Past the Hurting," is fine, but doesn't leave any lasting impact.  The Invention Exchange has cute visual gags that kind of last longer than they probably should (especially Hitler Coffee).

Yongary is one of the better relaunch episodes, in my opinion.  There are a few mundane qualities that hold it back, but the riffing is pretty funny and the movie is something weird to behold.  I give this one an easy recommendation.

Good 


The DVD and Blu-Ray

Like the rest of its season, Yongary terrorized MSTies as a part of Shout Factory's Season 11 DVD and blu-ray box sets, of which my copy is a snazy #WeBroughtBackMST3K Collector's Edition offered through Kickstarter.  Audio and video are outstanding, and while there are no special features on the disc, it does share space with the following episode, Wizards of the Lost Kingdom.

Wednesday, July 1, 2020

The Mads Live Movie Riffing Streaming Event Press Release

Hello to all who stumble upon my little corner of the internet!  Normally I don't deviate much outside of my content reviews, but I was asked if I was interested in participating in promoting this event and I accepted.  I'm assuming most who read this board are fans of Mystery Science Theater 3000, correct?  If not, read some of my posts and familiarize yourself with it, ASAP!  Those who do know what I'm talking about will be familiar with Trace Beaulieu and Frank Conniff, who played Dr. Clayton Forrester (also voicing Crow T. Robot) and TV's Frank on the series as a dynamic duo for five years before Frank's departure in season six (Trace graced us with his performance for two years beforehand and departed himself one year afterward).  To many fans, they had the greatest comedic chemistry on the show.

Years later, Trace and Frank reunited for live riffing on Cinematic Titanic and after departing that project they created their own little live riffing project called The Mads are Back!  I've been wanting to cover The Mads are Back on my blog for years, but they never toured in my neck of the woods in Idaho, so I've never had the pleasure, but I've heard nothing but wonderful things.  I've always hoped someday they'd release some of their riffs online so I can get my Trace and Frank fix!

As just about anybody in the world knows, 2020 has sucked.  The COVID-19 scare has been the deathblow to a lot of little businesses and even some big ones.  Trace and Frank took a hit because they had to cancel all of their touring dates this year.  Now we have the opportunity to support them online by tuning in to the a live streaming event where they riff the Ed Wood classic Glen or Glenda!  The press release is seen down below.

(Note:  In the email I received this in, I also got an offer to team up with these fine folks to give out free tickets to stream this event.  I'm fishing for interest right now, so if you're interested in some sort of giveaway, let me know and if I see enough interest I'll see if I can set something up!)

Trace Beaulieu And Frank Conniff (“The Mads” From Mystery Science Theater 3000) Announce Livestream Screening Of Ed Wood’s Glen Or Glenda
Portion of Proceeds to Benefit NAACP Empowerment Programs

The Mads - Glen or Glenda Banner.png

Trace Beaulieu and Frank Conniff, known to fans of the cult TV series Mystery Science Theater 3000 as “Dr. Clayton Forrester” and “TV’s Frank” respectively, have announced a special livestream screening of Ed Wood’s Glen or Glenda on Tuesday, July 21 @ 8pm ET, with the two comedians (collectively known as “The Mads”) riffing over the 1953 dud. The show will mark Beaulieu & Conniff’s first time performing together this year, after The Mads’ 2020 tour dates were cancelled due to COVID-19. Tickets are on sale now for $10.

“If you’ve been social distancing yourself from Glen or Glenda, Trace and I are giving the all-clear to watch this classic film,” said Conniff. “Of all the movies we’ve riffed, from MST3K to Cinematic Titanic and our own live shows, this is our favorite. Join us!”

The Mads Are Back: Glen or Glenda will broadcast live via a private YouTube link that will be sent to ticket purchasers an hour prior to showtime. A percentage of the proceeds from the event will benefit NAACP Empowerment Programs, who engage primarily in training, education, and advocacy at the national and local levels.

Mystery Science Theater 3000 has its roots in Minneapolis, when it premiered on local affiliate KTMA-TV (now WUCW) on November 24, 1988. Comedian Joel Hodgson created and starred in the TV show, which found him playing a janitor in the “not-too-distant future” imprisoned aboard The Satellite of Love, forced to watch a series of bad movies in an effort to drive Joel and his robot friends insane. The show was eventually picked up by Comedy Central and later the Sci-Fi Channel, before being rebooted by Hodgson in 2017 for Netflix. 

Beaulieu, who also provided the voice of “Crow T. Robot” during the show’s initial run, portrayed evil mad scientist “Dr. Clayton Forrester,” while Conniff acted as Forrester’s lab assistant and sidekick, known as “TV’s Frank.” Both Beaulieu and Conniff were writers on the show and have continued to collaborate since leaving MST3K, as members of the similarly-themed live show Cinematic Titanic, and also as co-hosts of the weekly movie podcast Movie Sign with The Mads. 

In 2015, Beaulieu and Conniff began touring movie theaters throughout the country as The Mads Are Back, offering their signature brand of quick-witted commentary (known to MST3K fans as “riffing”) over numerous B-movies.

Glen or Glenda, named by critic Leonard Maltin as “possibly the worst movie ever made,” is Ed Wood’s semi-autobiographical docudrama which follows Glen (portrayed by Wood), a man who wrestles with his desire to cross-dress as his alter-ego, Glenda. The film, which opens with a bizarre performance by horror legend Bela Lugosi, has been ridiculed for its cheap production values and nonsensical narrative ever since its release. The troubled production of Glen or Glenda was chronicled in Tim Burton’s 1994 film Ed Wood.

“Glen or Glenda might be the worst movie ever made but it is also a film with great heart and compassion for the subject matter,” said Beaulieu. “I could be wrong. I’ve only seen it 50 times.”

The Mads will also be conducting a Q&A with fans after the screening for as long as time allows. Tickets for The Mads Are Back: Glen or Glenda are on sale now.