Monday, January 31, 2022

Winterbeast (RiffTrax)


Film Year:  1992
Genre:  Horror
Director:  Christopher Thies
Starring:  Nobody who was in any movie other than Winterbeast
RiffTrax Year:  2022
Riffers:  Michael J. Nelson, Kevin Murphy, Bill Corbett

The Movie

Here is what I can tell you about Winterbeast's plot............that's it.  Your guess is as good as mine.  It's some babble about a Native American curse I think, and monsters are on the loose eating people, while other people go crazy and blow up.  This all leads to an epic climax featuring an extra in a devil mask on stilts walking in a circle chasing two guys.

RiffTrax claims this movie was filmed over the course of a decade.  What little I can find on IMDB makes that claim seem like hyperbole.  Over there it says two scenes were filmed in 1986, but filming became dormant after that for reasons that are unclear to me.  The rest was filmed in 1989 and it was finally released three years later.  That's not exactly a Boyhood-style filming schedule, though it is an unusual one.  More in line with Monster A-Go Go than anything.  And Monster A-Go Go is probably the most apt comparison you'd find for this movie, which is just a bunch of random images that almost feel like they're screaming at the viewer and don't really make that much sense strung together.  Winterbeast has a little bit of an edge on Monster A-Go Go in that it actually has a climax with an ending.

Watching Winterbeast is like...um...you know that tape from The Ring?  Imagine that, but a half-assed attempt at a story edited into it linking whatever the fuck you're watching.  That's the experience that this movie offers, and I'm still not convinced I'm not going to die after seven days.  What little that can be taken from Winterbeast as an experience is that feeling that you're watching something that is not meant to be seen.  If this horror movie is creepy at all, that's because it feels cursed.  The nutty cuts between actors doing static reactions to horrors that they're never in the same frame with always seems like something out of your worst nightmare, and Winterbeast may just be haunting your dreams after watching it.

The special effects are crude, but kind of effective in their crudeness.  Gore makeup never looks real (I don't think anybody working in make-up was familiar with human anatomy), while claymation offers up some cool monster designs, they all just kind of stomp around like they're throwing a temper tantrum, and when they kill someone it looks like a person made out of Play-Doh.  Less ambitious monsters include the afore mention devil man and something that I'm assuming is supposed to be killer mummy of some kind, though what a mummy is doing in North America I couldn't tell you.  The movie is at its most unhinged when it features a innkeeper off his rocker and dancing to a record, where the movie goes full snuff film and makes you think "I don't wanna be watching this anymore."

Winterbeast is the type of film experience that is few and far between.  That isn't a recommendation of its content, because while it's a unique experience it isn't an experience that everyone has the stomach for.  Winterbeast is distinctly...Winterbeast.  You gotta give it that.  This movie is like Evil Dead only if Sam Raimi had died of a cocaine overdose on day one and the crew decided to finish the film the best they could but couldn't figure out if the camera was on.


The Trax

This is the Stockholm Syndrome of RiffTrax releases.  I'm not entirely sure if this riff was funny, because I watched it and I did laugh, but that might be because I was trapped in a room with this movie and didn't feel like I could escape.  All I knew in the hour it took to watch this movie was Winterbeast, and I felt like I had to love it because it was the only thing that existed and if I didn't love it then I would die alone.

I felt only moderate amusement for a while but as Winterbeast continued to ramble away I felt my sanity slowly melting and I started laughing like a madman.  Good comedy or have I simply been driven to the brink of insanity?  I can't tell the difference anymore.  The RiffTrax of Winterbeast is like that sequence from The Simpsons where Sideshow Bob steps on rakes for a solid minute.  It's funny, wears out its welcome, and then becomes the funniest thing you've ever seen because it JUST WON'T STOP!

Mike, Kevin, and Bill are just as flummoxed by this movie as I am.  They don't understand it, they try to, but just sigh and let it be Winterbeast.  They seem to be less beaten down by it than I am, but they're seasoned professionals so I imagine they have to take it for the good of the team.  The unprofessional nature of the shoot gets torn apart, as footage is so poorly cobbled together that they aren't sure if the actors are the same from scene to scene.  The editing is so strange it's hard to tell how one shot relates to another, often leading to bemusement from our commentators.  We get to a point where the film shows us a scene of rock climbing (I know MSTies, I know) and Mike verbalizes exactly what I was thinking at that very moment when he says "I hope they got this footage from somewhere else, because I do not trust these filmmakers to shoot this safely."

Also their reaction to a certain phallic shaped object that just interjects itself into this movie is not to be missed.

The riff is at maximum enjoyment when the movie gives up on pretending there is a plot and makes with the horror, consisting of stop-motion creatures, some dude in a clown mask dancing, and a guy dressed like a devil prancing around in a meadow.  They can't figure out what any of this has to do with the movie they're watching, but they quip away at the madness that this movie offers.  I laughed in that madness, but I can't honestly say a piece of myself didn't die during the experience.

Good

The Joy of Living with Fragrance (RiffTrax Shorts)


RiffTrax Year:  2022
Riffers:  Bridget Nelson, Mary Jo Pehl

Avon calling!

This Avon produced short is here to sell their scents of perfume around the world, ensuring all women that they should have no interest in smelling like dumpster sewage.  Attract all those men who want to paw you and fondle your lady things by learning where perfume comes from, how it's made, and how to apply it for maximum pheromonal reaction.

Smells like...::sniff::sniff::...SUCCESS!

This short is somewhat interesting because I never really learned that much about the makings of perfume and cologne over the course of my lifespan.  This short didn't really teach me anything about it either, as it kind of glosses over that portion to get to women dabbing their necks, but I kind of wished to learn a little bit more.  I also didn't know what real difference there is between perfume and cologne in general was, but I guess when I'm out on a date women are supposed to use the former sparingly and I'm supposed to drench my body in the latter.  I guess I'm doing it wrong.  No wonder they take one look at me and run.

The short is more interested in being beautiful than informative though.  A lot of the footage is of woman just...looking like women.  Showing off curves in pretty dresses, smiling, and most importantly applying perfume.  It feels like its intent is to get women to want to buy perfume at that very moment and not think very hard about where it comes from.  Not being a woman, I can't confirm nor deny the short's effectiveness in the former but I was more interested in what it didn't seem to want to tell me about, so I'd pronounce it a failure.

Bridget and Mary Jo's riff is a bit scattershot for me.  There are plenty of good jokes here though amusement level never really rises above average rating.  I love that there is plenty of footage featured of women muted, speaking but without sound, which allows the duo to insert any line into their mouths and usually it's a winner.  Largely those were my favorite moments in this short which allows even the more aimless humor flinging to elevate even just a little bit.  And when they do hit their target, it's pretty funny.  Probably the best line of the entire short is just one word from Bridget as the short shows a man working on scents in a lab.  But it's the most perfect word that she could have said at that very moment...

"First he impregnates a blotter with the scent..."
"Pig."

Thumbs Up
👍

Thursday, January 27, 2022

K07-Gamera vs. Zigra


Film Year:  1971
Genre:  Kaiju, Science Fiction, Fantasy
Director:  Noriaki Yuasa
Starring:  Eiko Yanami, Reiko Kasahara, Mikiko Tsubouchi, Koji Fujiyama, Gloria Zoellner
MST Season:  KTMA

The Movie

*I HAVE SURVIVED WATCHING THIS MOVIE UNRIFFED*

The underwater dwelling monster alien from the planet Zigra kidnaps a lady astronaut and controls her mentally to do his bidding as he wages war on Earth, causing not-so-natural disasters that kill thousands.  The duo then kidnap a mini-sub of marine biologists and list Zigra's demands, wishing to dominate Earth and use mankind as his food supply.  The only being on Earth powerful enough to challenge him is of course the super turtle Gamera, but can the friend to all children possibly stand up to the greatest threat the world has ever seen?

Gamera vs. Zigra is a very strange movie, even by Gamera standards.  Apparently the budget was absurdly low as Daiei was in financial difficulty at the time, and most of the money it did have was presumably ponied up by the marine park that the majority of the film is set at, who were using the film as an advertisement.  The film feels mostly stationary as a result, as we hear about alien attacks and death and destruction over the radio as characters are like "Oh shoot!" at the news of thousands of people dying.  When it does leave the park setting, it's usually to visit the alien spaceship or to watch Gamera do his Gamera thing.  Even looking past the bad dub featured here, one can plainly see that the acting is pretty terrible, and I feel safe saying that even without speaking a word of Japanese.  The performances from adults are pretty wild and exaggerated, while all the kids look like they are trying to remember the lines they were fed before each take.

Interestingly enough, one of the reasons there were so many Gamera films made in such a short period of time is because while they performed okay in Japan, Daiei was actually making them for international distribution.  American International Pictures came to Daiei and bought Gamera vs. Barugon and Gamera vs. Gaos for television distribution and they locked Daiei into a contract saying they will buy any Gamera film they make, sight unseen, to be distributed directly to American television, as long as they each featured a brand new monster for Gamera to fight and American children were a part of the cast (in case you're wondering why all those white kids suddenly appeared in these movies).  This made the Gamera series a guaranteed profit for every movie they made, which was incentive for Daiei to pump them out annually (apparently they wanted two a year, but director Noriaki Yuasa said no because one was draining enough).  This wasn't enough to keep Daiei afloat however, as the studio filed for bankruptcy in 1971 while Gamera vs. Zigra was in production.  The movie already had a cut budget, but the studio didn't even last until release and the company was a bit reformed with a company called Nikkatsu to form a new company that shared costs.  Since AIP didn't technically have a deal with this new company, they passed on distributing Gamera vs. Zigra in the US, and the film didn't see US release until the Sandy Frank version seen here on Mystery Science Theater.

I can safely say the US wasn't missing much with Gamera vs. Zigra by not having it imported over here.  Maybe if you were a die-hard Gamera fan who never missed a broadcast of these movies when they hit TV, maybe the thought of a Gamera movie in limbo might be frustrating, but Zigra doesn't offer much.  Maybe it's less boring than Gamera vs. Viras (which was never seen on MST) but the wacky antics that fueled Gamera vs. Guiron or Gamera vs. Jiger are definitely not on display here, so if we had to lose one, this isn't a bad choice to drop.  The one bit of appeal might only be of interest to the dads who might be watching this with their kids, in that it's like Gamera vs. Guiron and features a space babe in a leotard at the center of the plot.  She even spends a sizable chunk of the film in a bikini, so that's nice.

As for Gamera action, monster scenes are fairly light though they're traditionally Gamera stylized.  They're childishly playful, featuring goofy scenes like Gamera playing Zigra's spiky back like a xylophone.  Zigra is an okay looking monster, trying to look like an armored up shark.  However, Zigra's scenes where he stands upright make him look like a large, grey parrot, which kills any intimidation he might cause.  The spaceship itself is fairly colorful yet goofy, with so many colors that it looks like a giant candy dish shooting death rays.

Daiei's bankruptcy assured that Gamera vs. Zigra was almost the end of the Gamera series, and nothing of value was lost.  It's certainly a warning sign that had the Gamera series continued further entries would have been rather dire.  Gamera eventually did return in 1980 with a film called Gamera Super Monster, which utilized monster scenes from the previous Gamera movies with a very cheaply made new plot wrapping around them (also featuring space babes, natch).  The movie was a clear cash grab Daiei made to help with further financial trouble and rightfully bombed at the box office.  In the 90's, a trilogy of darker films aimed at adults directed by Shusuke Kaneko were released to critical acclaim (in my personal opinion a lot of the praise is hyperbolic, though that third film is pretty good).  Most recently in 2006, Kadokawa Pictures (who purchased Daiei) released an attempt to reintroduce character into children's fantasy with Gamera the Brave, which was actually pretty solid.  Unfortunately the film didn't do well at the box office, and further Gamera films were put on the backburner.  Gamera vs. Zigra could have been the end but most kaiju and toku enthusiasts are glad it wasn't.  However Gamera might be overdue for another comeback, maybe to fight Godzilla and Kong in the MonsterVerse.  Just sayin'.


The Episode

The most noteworthy thing about the KTMA version of Gamera vs. Zigra is that it's their first subjection to the Gamera theme song and they latch onto it pretty enthusiastically.  What's fascinating about this is you can hear them working with it and improvising what would become their take on the Gamera theme in the third season of the series.  Late in the movie Servo starts singing "We believe in Gamera!" over the movie's theme, and toward the end Joel starts working out "Gamera is really neat, Gamera is filled with meat..."  It's wild to see just how much they could mine from it off-the-cuff and how they would refine it years later.  There are also a couple jokes they would recycle later, like calling Sandy Frank a "hot dog you dropped at the beach" and riding on the little girl's love of Coke.

Other than that, it's hard to work up a lot of enthusiasm for the episode.  We had just come off of three other Gamera movies and it's easy to get tuckered out on the turtle.  Add in the fact that this particular Gamera film is just a bit of a slog and the episode grows tiresome.  Given the improved riffing style, it's hard for them to offer up anything new at this point which makes Gamera vs. Zigra a mostly empty experience throughout most of its runtime.  That alone makes the episode a bigger chore for me over the much more notorious original Gamera film, even with three riffers in the room.

But there is more history being made in this episode, as it marks the first appearances of the Mads on the series.  Dr. Forrester and Dr. Erhardt finally show their faces, broadcasting from what looks to be a KTMA programming workspace.  They don't do a whole lot except laugh maniacally at Joel.  They claim to have a whole pile of Gamera movies, but in reality they only have one more.  Other than this, Joel and the Bots spend a good time responding to viewer calls and also celebrate the New Year, as this aired on New Years Eve of 1988.  1989 holds big things for the show, so it's good to celebrate this particular number switch!

But while there is some history being made here, this episode really just sinks like a stone.  The movie is the least amusing of the Gamera features so far and there isn't a huge riffing push to save it.  It's lower level KTMA, though it's a slightly interesting one.

Not Recommended

Wednesday, January 26, 2022

Grey's Anatomy - "A Hard Day's Night" & "The First Cut is the Deepest" (RiffTrax)


Film Year:  2005
Genre:  Drama
Director:  Peter Horton
Starring:  Ellen Pompeo, Sandra Oh, Katherine Heigl, Justin Chambers, T.R. Knight, Chandra Wilson, James Pickins Jr., Isaiah Washington, Patrick Dempsey
Rifftrax Year:  2007
Riffers:  Michael J. Nelson, Bridget Nelson

The Episodes

My experience with Grey's Anatomy is limited.  I'm familiar with the show in bits and pieces as I've seen random episodes but couldn't tell you anything about it.  My mother is a medical drama freak dating back to being addicted to E.R. and Chicago Hope back in the 90's.  She was always onboard with the latest one, though the only one that I myself ever got into with her was House.  Grey's Anatomy is one of her "stories" that she catches every week.  Apparently she is one of many who never misses an episode, because this show has lasted nearly two decades and is still running.  I think the only medical dramas with a healthier run are soap operas like General Hospital, but that would be presuming soap operas are real television.

So after many years I'm in a position where I've cornered myself on this blog and have to go back to the beginning to see just what the hell this show is.  Is it more than just doctors who have scandalous sex with other doctors and patients?  I know Katherine Heigl is in it at the very least because she has been widely mocked since leaving it for a career as a film actress, which failed miserably.  Don't worry, Katherine.  You'll always have Bride of Chucky, which I'm sure is better than any episode of Grey's Anatomy.

So what is Grey's Anatomy about?  Our main character is Meredith Grey, a member of a new group of interns at a hospital in Seattle.  Not only that, she is also the daughter of one of the most well known surgeons in the city, but is trying to keep it on the down low to not seek favoritism.  Complications are thrown her way where her handsome supervisor turns out to be a man she had a one-night stand with the night before her first shift.  What are the odds!  Episode one, A Hard Day's Night, shows Meredith and her fellow interns trying to survive their first shift at the hospital:  working on diagnoses, assisting with surgery, and helping keep tabs on patients...none of which go well.  The second episode, The First Cut is the Deepest, features Meredith watching over the severed penis of a rapist while also having concerns about a newborn baby's heart murmur.  What does any of this have to do with her looking for a roommate?  I have no idea.

Oh and she and Patrick Dempsey make out in the elevator.  They're totally going to do it again before the end of the season!

I'm not going to lie and say it isn't interesting to go back to the beginning of this hit TV program that I'm only vaguely familiar with almost twenty years on.  I didn't even know there was a premise to this other than "Sexy doctors do doctor things on the clock and sexy things off the clock and sometimes on the clock too (yeah baby)."  I guess that's what it is now at the very least, but the premise of interns learning the ropes is kind of cute.  The whole thrown-into-the-fire angle and learning the hard way makes for some solid drama at the very least.  The humor of the greenhorns being driven back by the sternness of the veterans brings about an interesting tone.  And in a hospital there are serious repercussions if one screws up, which makes their learning curve a big deal.

My vague interest is not sustainable though.  Interns can't remain interns for twenty years.  Meredith Grey has to become a full doctor at some point, and that does happen.  What is the hook of later seasons?  Seeing Meredith's career play out?  I mean I guess that works, or at least it seems to be working.  It's hard for this to not feel like a run-of-the-mill medical drama once you graduate from the amateur status though.  But I'm not intimately familiar with how the series played out so I wouldn't know.

I didn't dislike the show.  I enjoyed parts of it, while other parts felt static and by-the-numbers.  I see why people took a shine to it, though it's immense success does make me wonder why this hospital drama in particular gained the traction it did.  Is it because Ellen Pompeo keeps saying yes to the easy paycheck of playing Meredith Grey, which results in reliable ratings?  E.R. can switch out George Clooney because it has no promises of anything other than the title, while it might be difficult to have Grey's Anatomy without Grey, just like it's pointless to continue House without House.

That's more speculation than an observation.  I don't know why Grey's Anatomy was the hit it was nor do I have any idea why it's still running.  I know my mom watches it every week and if she had her way it would continue for another twenty years.  Grey's Anatomy can take comfort in knowing that it has at least one fan that is that devoted.


The Trax

Some new blood is entering the riffing ring!  Mike's wife Bridget Nelson is here, and MSTies will remember her under her maiden name of Bridget Jones from back in the MST days which has since become the title of a Renee Zellweger romantic comedy franchise.  As RiffTrax continued Bridget would team up with fellow lady MST castmate Mary Jo Pehl and start a series of must-see riffs by themselves.  But here it's her and her husband watching a TV show that a husband and wife would watch when it's the wife's turn to pick the program, so it's oddly fitting her first riff is this one.  Bridget even notes this might be the most "woman-y" show on television.  Say what you will about it's lady appeal, but it's hard to believe this show steals that crown from Sex and the City.

To be blunt, I wasn't really looking forward to this one.  I have zero interest in Grey's Anatomy and sitting through the episodes mostly confirms that it's very unlikely to be a bingewatch in my future.  And as much as I like Bridget I wasn't sure how entertaining a riff of this show could make it.  I don't know if it was low expectations but I actually found this riff pretty funny.  Bridget is certainly having a blast, as she gets into that whole girly sassy persona that one would get into while watching a show like this, where they're clearly addicted but can't stop shittalking.  There are also a lot of lines mocking TV melodrama in general, which is especially rousing if you remember the 2000's TV landscape.  

"Hour 1?  I hope Jack can find the terrorist!"

The highlight of this is during the "Previously on Grey's Anatomy" segment in episode two, where Mike, Bridget, and Disembodio put on a little performance of "Previously on RiffTrax" which had me in stitches.  It's almost like a spiritual successor to the opening host segment of The Deadly Bees on MST3K ("Don't make me shoot you!  Croooooooow!").

The saucy nature of the sexual tensions on the show also come under fire.  Mike gives Patrick Dempsey a narcissism like no other, insisting that all bask in his handsomeness.  There are some shots taken at Meredith's slight fauning over Dempsey, and her reluctance to admit that she's attracted to this handsome dude she's already had sex with but is trying to ignore.  Bridget observes "I don't think she understands the concept of sleeping her way to the top."

It gets a little tiresome toward the end of the second episode.  Grey's Anatomy isn't really all that fun to sit down and watch more than one episode of in one sitting and the riff experience follows suit.  Luckily the Trax is split in two allowing one to watch the two episodes separately if one wishes.  I might do that in the future, to see if the second half holds up better without having already sat through forty minutes prior already.  Grey's Anatomy is a pretty fun one, though I'd confess it might just easily be skippable if the show isn't your bag.  It's not my bag either but I'm glad I gave it a chance.

Good

Get That Job: Line Up Your Interview (RiffTrax Shorts)


RiffTrax Year:  2012
Riffers:  Michael J. Nelson, Kevin Murphy, Bill Corbett

Our main character, who I assume is Abraham from The Walking Dead with a football helmet knitted out of red hair, needs a job.  But how does one get one?  Join him as he goes through the steps of the application process and covers what businesses will be looking for in their applicants.  And if you don't get the job, there is always OnlyFans.

Anybody who has done any amount of adulting in their life knows that getting a job can be intimidating, especially if you desperately need one.  Some of the advice given here is pretty universal, though it's a very dated presentation of it.  This short is very stuck in the 70's, not just with its styles but also with the advice given.  Traveling to a secretary service to type up a resume is probably not advice anybody heeds anymore fifty years later.  An updated version of this short would likely play a bit different.

Will all this advice succeed?  Maybe, maybe not.  But people just don't want to work anymore for less than a living wage, so what can you do?

The riffing is quite hilarious for Get That Job.  Mike, Kevin, and Bill look into a lot of the different scenarios seen in the short and play with the casual stupidity featured in it.  There is a scene with a woman working in a dress store that briefly has a flashback to her doing the exact same thing she's doing at that moment, which Bill can't help but observe the pointlessness of.  Bill also objects to the narrator distracting a mechanic while he's working on an airplane engine, which got a huge laugh out of me.

Like a lot of shorts with narrators, a lot of mileage is also gained out of expanding on the narration.  The narrator states he has two things left in order to apply for a job, to which the response from our team is "To take out the competition and get some stamps."  That's a lot of what you can expect from Get That Job, and it's certainly funny enough.

Thumbs Up
👍

Monday, January 24, 2022

A Night of Shorts 6 (The Mads)


Shorts Featured:  "It Must Be the Neighbors," "Telephone Courtesy," "Dating Do's and Don'ts," "Better Use of Leisure Time"

The Shorts

"It Must Be the Neighbors"

The yards all around the neighborhood are in disarray!  Rusted away garbage cans, overgrown lawns, mice everywhere...WHEN WILL THE CARNAGE END!  But the inhabitants of this neighborhood refuse to take responsibility for their own cleanliness, with the almost universal mantra of "It isn't us.  It must be the neighbors."  The only people with the common sense to get off their asses and do yard work are the children of the street...

Children?  Wanting to do chores because their parents don't?  What kind of fantasy nonsense is this?  Lord of the Rings is more reality-based than this short.

The point of It Must Be the Neighbors is to wake up and take responsibility for your own property, which not everyone is willing to do, especially not if your property is a full home.  I just wanted a roof over my head!  I didn't want to take care of it too!  That wasn't part of the deal!  The short wishes for people to take a look around them and figure out what is or isn't in their control and that maybe good habits can domino into other good habits and benefit your entire surroundings.

Or you can blame the neighbors.  That works too.

"Telephone Courtesy"

Please hold while I connect you to your overview of Telephone Courtesy.

::four hours passes::

Hello, thank you for waiting!  This short tells us the importance of good manners over the telephone and how it affects businesses that rely on telephone communication, especially through customer care.  Our story features a boss who has a bad day and starts yelling at his telephone operator over the phone and then wonders what she could do to improve her customer service.  He decides to go to the local phone company for tips and he sets up an effective system of telephone training that effectively tells everyone that they need to smile more.

While good intentions are displayed in showing off poise for customer service, the main problem with Telephone Courtesy is that is skims over the mental stamina of the employees themselves.  It's one thing to just say "Do these things, it's easy!" but it's another to actually execute without having your employees wanting to die on the inside.  The first act of the story is extremely telling, as the boss calls the office irritated and gets angrier at an increasingly flustered receptionist and the short wants us to believe it's her fault.  The short does make statements that there are improvements that had to be made to his business practice to help his employees but chooses to ignore them and instead constantly lectures the employees on how they can improve at being a doormat instead.

While telephone etiquette is explained pretty well, Telephone Courtesy does little to wonder why and is far too concerned with the message of "Do it."

"Dating Do's and Don'ts"

(Note:  This short has no onscreen title.  This is what I'm seeing it referred to online, so I'll just cave into peer pressure and call it this)

A young boy is sent a free ticket to the carnival for a couple.  This means he needs a dun-dun-DUNNNNNNN date!  He and a narrator go through various scenarios on figuring out the best way to choose what woman to take out, how to ask her, and how to end the night.  And if that last scenario doesn't lead straight to the bedroom, you have failed miserably.

This rather innocent short mostly tries to whittle down bad ideas until one gets to the common sense solution.  Despite that, I kind of like the way it's presented though, as it tells the blossoming teens what they shouldn't do in hopes of teaching them what will happen without them learning it the hard way.  And believe me, my awkward ass learned a lot of these the wrong way way back when.  Where were you then, short!

The little question breaks are kind of funny.  "How do you choose a date?"  Well, who the hell do you want to spend time with for one!  "How do you say goodnight?"  If you play your cards right, you don't.  Hehehehe.  But this is for tweens, so we probably shouldn't go there.

"Better Use of Leisure Time"

Why are you letting all your time slip away?  Don't you know a hundred years ago leisure time didn't exist?  Get to putting it to good use, you slacker!  This short teaches you the all the different ways leisure time can be used you your advantage, filling it with hobbies or ways to learn for future goals or maybe just earn a few extra bucks by getting another job when you're...not at work.

If nothing else, this short has taught me that filling my leisure time with this blog is not a good use of my leisure time.  To spite it, I'm going to continue wasting my time on it.

This is a very slight short about how hobbies and activities are fun rather than sitting in your room and eating an apple, but I think this should be apparent.  This short gives the impression that if we don't take initiative and end leisure time right now we'll wind up a bunch of blank drones starring at brick walls.

::thinks of Facebook and Twitter::

OH MY GOD, THEY'RE RIGHT!


The Show

This is the first time I get to sit down and review a Mads show, which I've had several false starts on so far.  Initially I was trying to keep up from the very first stream, but personal issues that wound up being compounded by deaths in the family found my efforts to keep up with the new riffing project mostly unfinished.  I have been watching them as they've come out, usually much later because I work on Tuesday nights and I have to leech off of a friend's wifi whenever I want to download something.  I just hadn't been writing anything about them and when I did get to work on my blog I made a more concentrated effort on finishing my Mystery Science Theater entries before I turned my attention more fully on the other corners of the riffing universe.  Now that's done and weights have been lifted.  I almost started a few months ago with Voyage to the Planet of the Prehistoric Women before my internet completely crashed on me and by the time I got it back up I had completely forgotten I was working on something.

So yeah, that's my excuse.  Feel free to judge me.  2020 and 2021 were not my best years, pandemic or otherwise.

But the Mads have been a fun diversion all throughout the pandemic, and usually the shows I look forward to the most are the Night of Shorts shows, featuring those little slices of earnest learning experiences that have been given a good ribbing by our beloved duo of Frank Conniff and Trace Beaulieu.  It seems fitting that my first successful sit-down with the Mads is one of these shows.  And A Night of Shorts 6 gave me a couple of my favorite shorts I've seen yet, so it's definitely getting a gold star from me.

Stealing the night for me is Telephone Courtesy, which had me throwing my head back and laughing at various points.  I knew I was in for a true treasure as soon as Frank threw out the line "The first Karen!" and it just got better from there as the enthusiastic telephone lesson sets up a series of killer riffs from the dynamic duo.  Dating Do's and Don'ts is another class act, as are most dating related shorts.  The anxiety of teenage dating is always the brunt of some of the best humor from any riffing project.  Leisure Time doesn't quite live up to what came before, as it's very brief and doesn't gather much momentum, however it is funny enough.  Though if this night had ended with either of the prior two shorts we would have ended on a high note.

It Must Be the Neighbors is a bit harder to judge, because it's noted in the aftershow that they had issues with Trace's feed and he missed the entire short.  However the copy that I'm reviewing has been edited from rehearsal material which was specially spliced into the feed for the download version.  I don't know how it played originally so I can't judge that, though the version seen here is pretty good even though it's easily the weakest short of the night.  Frank also notes that one of the shorts featured was previously seen on RiffTrax though it was new to them, and fans will immediately recognize Neighbors as the short he's referring to (it was one of the first Trax shorts way back in 2008).  To be fair, both the Mads and the RiffTrax versions are about equally funny.

Interestingly, the RiffTrax version was in color while the Mads version is in black and white.  I wonder if the Mads got theirs from a different source?

Tonights special guest is John Erler of Master Pancake Theater, a riffing project on Twitch.  Initially I wondered if I had heard of them and my search history shows that I have looked them up before.  I think I deduced they would have been difficult to cover for this blog since they don't really have an archive and stream very frequently so I didn't really have a convenient way of writing about it.  Erler is a funny presence though and I might stop by Master Pancake to check out what they have to offer if I have a free night.  After-show talk starts by discussing actress Hope Summers, who was featured in the Leisure Time short in her first acting credit.  They discuss their favorite movies of 2021, which is dominated by Frank who relates that he loved Spider-Man:  No Way Home, Pig, Don't Look Up, and The Suicide Squad (I personally haven't seen Don't Look Up, but I really like the other three).  They get into a discussion of the careers of the recently departed Betty White and Sidney Poitier and give a respectful shout-out to Bob Saget who passed days before this show streamed.  Frank also has a pent-up rant about the forgotten Columbo spin-off Mrs. Columbo which isn't to be missed.  There is also talk about the films that they've seen on Master Pancake Theater, including what sounds like a fascinating TV pilot called Outlaws, where gunslingers are flung forward in time and start a detective agency.  A quick Wikipedia search shows this did go to series but only lasted 12 episodes.

Another night of shorts in the books, and this was a splendid one at that.  As usual, the four distinct short experiences make this hard to rate but I'll try and average it out.  Telephone Courtesy makes up a good chunk of the runtime and gets the most laughs, so that's a point in its favor.  Dating Do's and Don't is a swell follow-up that keeps the pace flowing.  The other two lag behind but are solid.  Because of those two absolute gutbusters swaying the average, I'm going to give this show high marks.  This is one to see for all fans!

Classic

The Shoemaker and the Elves (RiffTrax Shorts)


RiffTrax Year:  2018
Riffers:  Michael J. Nelson, Kevin Murphy, Bill Corbett

RiffTrax favorite Coronet Films imports this little stop-motion story from Japan about an elderly shoemaker who helps a fairy prince.  In gratitude, the prince sends a legion of elves into the shoe shop every night as free labor to make the shoemaker's shoes for him.

It's a cute and relatively harmless little fable in of itself, though as Kevin points out the moral of the story seems to be that you should "hope for supernatural forces to lift you out of poverty."  Animation is fairly inexpressive as well, as most of the stop motion models have frozen faces and limited movement.  The elves themselves are said to dance, but their form of dancing is to spin in a circle like they're drunk.  But this is just something pleasant for kids, so I have no real complaints with huge merit.

The riffing runs a rather bit scattershot throughout the first half of the short.  Gags feel a bit all over the place, though when they hit they can bring a smile but no huge laugh.  Kevin hoped that being made in Japan meant a cameo from Mechagodzilla, which made me grin.  Hearty humor doesn't really hit until the elves appear onscreen, where suddenly the Rifftrax team kicks it into high gear.  They have fun with the weird mannerisms of the elves and how they play around just as much as they work, causing Kevin to speak as an irate shoemaker overlooking the magic of the scenario and screaming "QUIT DANCING AND MAKE MORE SHOES!"  They also compare the elves to a rodent problem, as Mike proposes a few glue traps the following night.

The Shoemaker and the Elves has some good laughs in it, though it takes a while to get there.  It's maybe 65% a below average short though, which makes me hesitant in recommending it.  The climax is worth watching, but the rest of it, not so much.

Thumbs Down
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Friday, January 21, 2022

Mystery Science Theater 3000 - VHS Collection Retrospective


I'm betting a lot of people who stumble upon my blog wonder why I'm so obsessed with DVD releases.  Nobody uses physical media anymore!  Just get Netflix like a normal person, ya boomer!

So here's the deal:  When it comes to this show I will ride or die by my physical copies.  For one, I don't want to be internet reliant on whether or not I can watch the series (I have gone many periods without it in order to make ends meet).  Second, while a good amount of the series is available online, there are still a sizable selection of episodes that are only available on DVD.  Which means DVD collecting gets you more episodes than hunting down digital.  That means I win and you lose!

Except in the case of Quest of the Delta Knights, which is digital exclusive for the time being and I will die mad about it.

Also for most first generation MSTies who became fans while the show was on the air, one aspect of fanhood that was very important to us was an underground episode exchange called "tape trading."  It was quite popular at the time to tape episodes off of television and make copies and trade them for either episodes you didn't have or better quality versions of ones that you did.  This became especially defining of our fanhood as the series would eventually lose the rights to certain movies and episodes would stop airing, which meant this was the only way they could be seen for fans who had missed out on them.

Of course, those who grew up with all the out of print episodes readily available on YouTube can't imagine not having the entire library at their fingertips at every waking moment.  Back in my day we had to walk FIFTEEN MILES IN THE SNOW to watch our puppet show and THAT'S HOW WE LIKED IT!

This was also in a time when full TV shows being available for on-demand viewing through any sort of home media was rare.  One had to subscribe to some scam club called Columbia House or whatever (like that Disney Club except you can order R-rated stuff with boobies and guns and stuff) to have video cassettes with two episodes on them sent to you once a month, and in some instances the whole series was available on VHS, but not all.  In the case of Mystery Science Theater 3000, whole episodes ran a little over ninety minutes without commercials, which meant only one episode could fit on a cassette, traditionally speaking of course.  If quality meant jack to you, you could tape three off of TV on one VHS and they'd all look and sound like shit but you'd save on space and money.

With tape trading so hot, it was probably a no-brainer for MST3K to hit the home video market.  It's complicated to make the attempt due to legal agreements, but the fans would buy them, twenty to thirty bucks a pop.  The tapes would be higher quality than any fan copy and wouldn't include commercials to edit out.  Rhino Home Video made the deal with Best Brains to distribute the show on VHS in 1996, which incidentally coincided with the release of Mystery Science Theater 3000:  The Movie, which would also see VHS release from Universal Home Video that year.  Rhino started our collections off with a trio of Joel era favorites:  Cave Dwellers, The Amazing Colossal Man, and Mitchell.  It's a solid start to the line, though frustratingly Colossal Man found itself pulled from shelves as the rights to the film became a hellhole.  To date it's the only episode of the series that has been released on VHS but never on DVD.

Rhino would eventually follow up in groups, finally releasing a Mike episode in the next batch with The Brain That Wouldn't Die, which would be paired up with Pod People.  They would gradually continue the line through the late 90's as the series was cancelled by Comedy Central and moved to the Sci-Fi Channel.  Rhino would never touch the Sci-Fi era episodes for VHS release, which was probably a wise decision.  Not because the CC episodes were better, but rather that Sci-Fi was nurturing new fans with episodes that were exclusive to that channel and Rhino's line of tapes allowed these fans to look back at what came before.

Side Note:  The Rhino releases would usually edit out the commercial bumpers during the theater segments, which are not necessary but the choice was still controversial.  They also excluded the stinger from their release of The Atomic Brain.  They claim this was something that was absent from the copy of the episode they received from Best Brains, which is probably true because the mistake was also present on their DVD release and wouldn't be fixed until Shout Factory released the episode many years later.

The VHS line also saw tapes of Short compilations, as they released three volumes full of MST shorts on video, and they also gave fans a retail release of Poopie!, a half hour blooper reel that Best Brains had originally sold fans through their own stock.  While Rhino was working their magic in stores, Best Brains was working more directly with fans by offering tapes they put together themselves for die hard fans.  These tapes included compilations of host segments called Tom Servo's Favorite Host Segments, compilations of music from the series called Play MSTie For Me, rare behind the scenes footage and clips in the MST3K Scrapbook, a second blooper reel in Poopie II!, as well as an exclusive short compilation in Mr. B's Lost Shorts (Rhino would eventually distribute that as well, but not until the series hit DVD).  Best Brains also sold episodes from the Sci-Fi era as well while Rhino was exclusively working with Comedy Central material.  They offered up The Touch of Satan, Girl in Gold Boots, Boggy Creek II:  And the Legend Continues..., and Hamlet.

Of note, the Best Brains VHS line did not feature any box art.  All of these tapes were sold with basic sleeves housing the tape, with a little hole on the front that showed off the sticker that told you what tape it was.  Rhino's tapes were a different story, all of which featured a still from the movie, with the theater seats at the bottom featuring Joel/Mike and the Bots making comments on the still above in little word balloons.  Sometimes the jokes were cute, sometimes they were lame, sometimes they were lifted from the show, sometimes they were made up, rarely did they result in a laugh.  These designs would be retained once Rhino started releasing episodes as single discs once they started to release the show on DVD.  Rhino's Shorts tapes just featured stills of Crow and Tom Servo surrounded by boxer shorts, stating things like "I see London, I see France!" and the like.  The Poopie! tape had stills of the characters surrounding the Poopie! logo in the center, which was featured in front of the Hexfield Viewscreen.

As home media changed, the VHS line slowly died out.  Rhino's last release to it was The Hellcats in the year 2001, and soon after the media switch those fancy pants shiny discs was made.  Rhino would release thirteen Joel episodes in total, with the highlight probably being Eegah.  They released nine episodes featuring Mike, with my personal favorite being Bloodlust (though I'd probably say my top pick for any Mike "episode" on VHS was probably The Movie).  The quality of episodes could be a bit all over the map, and there are a couple of stinkers there.  Though I will admit some of my least favorites are actually iconic fan favorites like Catalina Caper and Pod People, so they'd at least earn their spot on the VHS line based on that alone.

Episodes Released on VHS
The Crawling Hand

But wait!  What's Reptilicus doing on there?  That episode wasn't released until 2017!  VHS was caveman technology by then!  Reptilicus was actually released on VHS as a Kickstarter reward for those who pledged higher than $300.  There was heavy nostalgia attraction to this item for those of us who lived through the tape trading days and it's actually kind of a cool little collector's piece.  Shout Factory replicated the look of a Rhino VHS with a custom sleeve for the tape and even came up with a cheesy item description for the back, just like the good ol' days!  I have not personally opened my copy, so I have no idea what the presentation is like.  I remember hearing a rumor that there is an intro for it, but I can't vouch for that.  Personally I like my little mint nostagia piece.

This whole thing is archaic today, but for the fans of this series, the days of VHS are a very important part of our identity and I don't think we should forget it.  Our history lies in these rapidly deteriorating pieces of media that look like fuzz and sound even worse.  The day has long since passed in which MSTies have kept "Circulating the Tapes," but the spirit will never die.

Mystery Science Theater 3000 Volume 2 DVD Retrospective



Release Date:  February 11, 2003
Re-Release Date:  May 24, 2016

Buy Shout Factory Set Here!

Episodes Featured:

Also featuring:

It's a second batch of episodes brought to us by the good folks at Rhino Home Video (or Shout Factory for reissues).  Fans rejoice as two of the episodes featured are fan favorites, and I even agree with one of them!  Cave Dwellers is an absolute must own!  And Pod People...a lot of people like it!  Good for them!  They should have the episode this early in the DVD series if it's that beloved!  The sole Mike episode of the volume is Angels Revenge, of which I've seen some fans of over the years, so they'll be happy too.  Am I one of them?  ...No comment...

So with one episode a home run and another two that don't do anything for me, what will save Volume 2's batting average is that last episode.  Let's hope Rhino selected a good one!

Wait.

WHAT IS THIS HORSE SHIT?!

So, Rhino has elected to only group together three episodes in this volume, while the final disc houses a shorts compilation disc.  Yay?

Now, let's remember that the shorts compilations back in the early 2000's served something resembling a function.  Back then it seemed unlikely we'd get a large amount of episodes officially released on VHS or DVD.  In the years since, every single short featured in these compilations has had their episode officially released, which mostly makes them obsolete.  They still function if you just want short bursts of MST3K, but going back to these early volumes, it's hard to see them as anything other than slot stealers.  Volume 2 winds up being the first of four volumes that only houses three episodes instead of four (the other three being Volumes 3, 6, and XXXIX), and it's unfortunate in this case because it holds me back from speaking of this volume too highly.  Cave Dwellers is an excellent episode that I can't recommend enough.  Pod People and Angels Revenge are...not.  And we have shorts too.  There are some really good shorts, but just shorts.

To be fair, both Cave Dwellers and Pod People are probably more "iconic" episodes than anything seen in Volume 1, of which the only really greatly known episode was Catalina Caper (I think it's the weakest episode in that set by a great deal, but that's beside the point), so Volume 2 gains a lot of must-own traction based on those two episodes alone.  If one wants to see the show's most beloved and coveted episodes from the classic run, Volume 2 has that in its favor and no wasted disc can take that away from it.

Average Rating (out of 4):  2

Audio and video are great across the board.  Bonus features are non-existent.  Interestingly enough, there are two different versions of the box art for this release.  The first is a black and white cityscape with a turnwheel in the skyline of the box, similar to the turnwheel box of Volume 1.  The wheel you could turn and get pictures of Ator, Trumpy, and the Angels.  My box set is a reissue that doesn't include the turnwheel.  This one features the same cityscape, but in the foreground we have Joel, Mike, Crow, Tom Servo, and Gypsy joyriding in a purple convertible, while the MST logo resides in the skyline.  Interior art sees the MST logo crashed in the street like a meteor, whole opening the fold outs reveals Mike and Servo peeking out of a manhole while Joel, Crow, Servo, and Gypsy gather outside of a movie theater.  Behind the disc art features a barren desert with a UFO in the sky, with things like vans, spiders, a Trumpy egg, and a pair of shorts are seen sitting by themselves behind each disc.

Disc art is simple silver with an MST logo at the top, while the menus are more fun.  Angels Revenge features Joel and the Bots (yes Joel, as usual the theater seats at the bottom always featuring Joel no matter the episode) watching clips from both the movie and the host segments to groovy tunes.  Cave Dwellers has Joel and the Bots watching footage from the movie and host segments on a cave wall.  Pod People has them looking at a pink screen, as frames of film feature scenes from the movie on the left hand side.  Shorts Volume 1 features a cluttered teacher's desk projecting footage from the shorts to a classroom.

Shout Factory eventually reissued this collection as a part of their line.  Like all of their reissued Rhino releases, their box art featured the MST logo against a starry backdrop with the theater seats at the bottom of the image.  The disc art was also a starry backdrop with episode titles in a simple font gracing them.  Unlike their re-release of Volume 1, the menus are of stock design, featuring the same starry backdrop with the closing Love Theme accompanying it.  While the audio and video is similar to the previous set, this collection does feature MST Hour wraps for Cave Dwellers and Pod People.  If you're interested in those, that makes the Shout set the must-own release.

Though really, what's really going to sell this box is two fan favorite episodes in one package.  Cave Dwellers and Pod People are bound to wind up on every MSTie's shelf and it's probably proper to buy them sooner rather than later.  That makes Volume 2 a chunk of the series that will come recommended, even though it's hard for me to be enthusiastic about the entire package.

Shorts Volume 1 (MST3K Specials)


In a moment of innovation, Best Brains Inc. and Rhino Home Video decide to offer up a video of shorts, those small films that episodes would use to pad out the runtime in case they need ten more minutes to fill their time allotted.  Often at the expense of dated educational films that mostly discuss common sense, these little slices of the series soon became fan favorites and now seven of them are presented in one package without the baggage of an entire Mystery Science Theater episode to weigh them down.  It's like popping Skittles in your mouth without having to eat your spinach!

There would be five more shorts compilations that followed and while the quality short films wouldn't exactly run light, the one virtue this first volume of fun has is that it was made while the series was still on the air and they managed to get Kevin Murphy to film a series of bumpers for the collection in character as Tom Servo on the Satellite of Love bridge!  Servo's intros are an absolute delight and it's unfortunate that it wasn't something retained for further volumes (or at least bring in Crow for the next volume to even it out) because he really makes this compilation special.  It's not just a series of stuff we've seen before, but new material as well!  This makes Shorts Volume 1 a must own for any MSTie!

As for the shorts themselves, the heavy hitter of the set is the exceptional Cheating short, which is just a gold mine.  I have a lot of fondness for Why Study Industrial Arts and The Chicken of Tomorrow as well, while A Date With Your Family is pretty fun as well.  Those are just the Mike shorts of the sets, what about Joel's you might ask?  Joel's offerings take up the rear for me, though I do enjoy Body Care and Grooming quite a bit.  Home Economics is a short that works better in the package of the episode it's paired with while Junior Rodeo Daredevils is probably the one short of the series that I struggle with.  The downside to this volume is that these two lesser shorts are what open the volume up, which starts things off with a slow pace.  Sticking with the compilation is recommended however, as the laughter spikes as soon as we get past those speed bumps.

The Home Economics Story

Are you a woman who dreams of being President of the United States?  An Astronaut?  Curing cancer?  Dream no longer!  Because that aint gonna happen!  We’re here to tell you how you’re paying good money to go to college yet the only course for you is Home Economics, to prepare you for all those jobs out there for women:  like cooking, cleaning, and taking care of children!

A short that’s more dated than most provides a look at what doors were open to women in the 1950’s, which weren’t very many.  The short was probably made as a helpful tool to guide young girls into picking a career, even if that “career” was housewife.  Today it’s sad, but at the time it probably seemed proactive.  This was what a woman’s life was like, and these were the options they had, and Home Economics was a safe bet in ensuring they exorcised those options into their maximum potential.

There’s very little here for a modern viewer, unless one really wants to be domestic and loves Home Economics.  If that’s the direction you want, then power to you.  But be forewarned that feminists aren’t high on this short’s list of people to please.

Now get into the kitchen, bitch.  And don’t leave unless you’re popping out a baby.

To be honest, the first time I had seen The Home Economics Story was outside of the show on the Shorts Volume 1 DVD, and I was left unimpressed.  It’s fairly long, drones on and on, and at times it can seem overwhelmingly monotonous.  Within the context of the episode, it flows a lot smoother, and it’s hard to explain why.  I think the surrounding episode gives the short in question a better foothold and it works better as an actual ensemble piece.

Junior Rodeo Daredevils
Original Episode:  The Killer Shrews

Two juvenile delinquents decide to be idiots and vandalize a horse’s rear end.  Instead of doing the sane thing and letting the horse kick them, old cowpoke Billy Slater convinces them to use their energy by organizing a junior rodeo, because these kids are obviously focused enough to do such a thing.

I hate rodeos.  I grew up with them, because my mother and sister were horse riders and both had been part of them several times (my mother was a barrel racer while my sister just marched through them with the US flag).  However, I just could never get into the sport.  I was constantly told that the only real men were bull riders.  I’m sorry that not tying up a bull’s testicles and being stupid enough to climb on its back makes me not a “real man,” but personally I can live with that.

Rodeos feel like animal cruelty for entertainment, which just doesn’t gel with me.  Needless to say, this short bugs the hell out of me.  Not just the rodeos, but the obnoxious kids and shameless western drawl narrator just makes me want to burn this thing.  Rodeos can go to hell.  And this junior rodeo can rot right beside it.

Not only is the short annoying, but the riffing doesn’t cut it.  It gets off to a bad start after the title is announced in a thick country accent, “Junior Rodeo Daredevils,” and Joel pipes up “Smothered in gravy, TEXAS STYLE!”  I understand what this is a reference to, and to a lesser extent I understand why he made the riff.  The problem is it isn’t funny.  And when I say I don’t find it funny, I mean that I don’t find it funny at all.  The short is littered with similar riffs, where I get them but don’t find them funny.  As the short goes on there seems like there should be a lot that can be done with the material, but at times Joel and the bots become content with repeating the same lame jokes over and over.  It grows tiresome hearing “And the crowd goes wild!” “Yaaaaaaaaaaay.” repeatedly over the short’s brief runtime. Junior Rodeo Daredevils is a tiresome chore.

Body Care and Grooming
Original Episode:  The Painted Hills

Does one hear a condescending narrator?  If you hear the sound of image shaming that means you shall be filmed bathing, dressing, and grooming one’s self in order to fit in with social norms and land yourself a husband.  And thus is the tale of Body Care and Grooming, the short that desires you to look and smell your best.

Almost something of a companion short to Keeping Clean and Neat, this one targets college age viewers as opposed to children.  As a result, it tries to get a bit more technical with bodily functions and appeals to one’s libido by making the claim that one will never get laid if they look a mess.  The short is a bit self-explanatory, though one must wonder how bad college campuses got if they needed to spread the word about bathing properly.

Joel and the bots aren’t afraid to get messy, as opposed to the short which is about cleaning up.  The love to pick apart the exaggerated examples and poke at the anal retentiveness, as well as just playing with the production values in general.  They pretty much nail the tone as the short finishes with “the end of the perfect day,” to which Joel points out “An entire day spent grooming.”

Cheating

Dumbass Johnny is having trouble with math and asks to copy off of Mary’s paper.  Johnny is soon elected into student council and finds himself relying on Mary’s answers more than ever.  But when his sham is discovered, everything he has achieved is at risk as his life spirals out of control.

This short is obviously shown to classrooms to dissuade cheaters, though it’s easy to deduce that the film portrays a worst case scenario.  It’s unlikely most cheaters would hold a student council chair, and if they did I’d be more concerned that somebody holding a rank can’t do simple fractions.  Though it skims over that with the line “I don’t think anyone that cheats should hold in office.”  Political commentary noted, though all of Washington laughs at this line.

Melodrama runs high as the director aims for a bizarre noir-ish tone for a simple matter of someone cheating on a test.  But they’re likely trying to evoke stress in a young viewer in hopes that they’ll straighten up and fly right.  Can’t say it’s ineffective, though as an adult watching it’s kind of hilarious.  And honestly I imagine the only real moral they’ll learn is “Don’t get caught.”

But remember, if you cheat in school, YOUR LIFE WILL BE DESTROYED!

The crew zeroes in on its jarringly dark tone and get dark with the riffs, taking Johnny through bits of depression and suicide.  If the short were any less dour than it is they might have failed venturing here, but it’s really a match made in heaven.  Not to mention it houses one of the best riffs of the entire series:  “Your one mistake, you’ve signed your test ‘Mary Matthews.’”

A Date With Your Family
Original Episode:  Invasion USA

A monotonous narrator guides us through the importance of spending time with the family as we watch a family spending the evening together for dinner and discussion.  But be forewarned, there is a endless list of do’s and don’ts to take to heart, or father will scowl at you and narrator will disapprove.

Worthwhile subject matter of making family just as important as personal time is aimed primarily at teenagers and children in an attempt to show them how fun family time can be.  It fails.  It makes family time look anguishing; with so much proper etiquette to follow otherwise you ruin everything.  Honestly, if you can’t fart in front of family, who can you fart in front of?

But that’s kind of the point, as it goes to great lengths to try and portray a proper socializing environment with the people you spend every day of your lives with.  The short wants you to keep family close, which is something that gets lost as one gets older (specifically with teenagers).  But this short is more likely to bore the people they’re trying to spread that message to, who are more likely afterward to pick up the telephone, call their buds, and ask them if they want to go to a movie instead of spending an evening at home.

Mike and the bots are on fire with A Date with Your Family, as the short’s pantomime becomes a huge advantage.  The only dialogue comes from the narrator while the actors try to act out to the best of their abilities, often wildly overdoing it.  It becomes child’s play for our riffers to just add their own dialogue to the scenes, resulting in huge laughs.

Why Study Industrial Arts
Original Episode:  The Skydivers

"You know, it's fun to have an idea..."
"There, wasn't that fun?"

This little instructional short was likely shown as introductions to industrial arts or as some sort of tool in order to help teenagers decide what courses to take that encourages an industrial arts course.  It tells of a boy with a woody for shop (heh heh, I'm funny) who discusses why the class could help prepare anybody for future careers and/or homelife.

The points in this short are hard to argue with the points that are made, as it does an adequate job of relaying the handiness in having good hands and tools in the future.  Though the short itself is one of those poor presentations of a stilted discussion that pretty much no teenager would ever have, where one lectures about proper preparation and etiquette while the other listens attentively and "Ya know, you're right!" at the end.

Maybe I'm just salty because I slept through my industrial arts course and have been learning shit like this the hard way ever since.

This is a grade-A short, where some fabulous riffs are nailing this educational tool back and crafting something more useful out of it.  There is especially a fetishistic tone in the room, as they take the main character's love of industrial arts and makes it so very dirty.  Riffing on teens in these films is always a hoot, because acting is usually robotic and Why Study Industrial Arts is no exception.  Because of the lack of personality being displayed they can project whichever personality they desire onto them, and most of the time a laugh riot will result.

The Chicken of Tomorrow
Original Episode:  The Brute Man

Which came first, the chicken or the egg?  WE MUST HAVE AN ANSWER!  Unfortunately this short doesn’t give us one, instead being a documentary about the chicken farming industry and its various branches, all the way to eggs and a delicious roasted dinner!  Celebrate the chicken by eating one tonight, whether unborn or with its head lopped off!

Like most industrial shorts, The Chicken of Tomorrow is a dry affair with repetitive footage of equipment being ran back and forth.  This one gets off easy because chickens are fun to look at.  But unless you have an interest in the subject they’re teaching you, it will still be quite a bore.

The riffing is just wondrous.  Full of those wonderfully cuddly flightless birds, Mike and the bots have a blast at playing ventriloquist with them.  They don’t slouch with the industrial side either, having fun with the almost lustful fawning over the technical aspects of chicken farming of the short.  This short is classic.

The DVD

Rhino Home Video released Shorts Volume 1 as a part of their Volume 2 collection.  Audio and video were solid, but there were no bonus features.  Shout Factory also released their own version of Volume 2 with the shorts compilation intact.